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Footage of Comfort Women in Yunnan Made Public after 73 Years

For the first time in 73 years, moving images have been made public that show Korean women imprisoned by the Japanese army in China, where they served as comfort women.

Manya Koetse

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For the first time in 73 years, moving images have been made public that show Korean women imprisoned by the Japanese army in China, where they served as comfort women. The 18-second clip made its rounds on Chinese social media on June 5th.

The footage was filmed in Yunnan province, in southwest China, in 1944. Previously, there were numerous texts and photographs documenting the imprisonment of comfort women in China, but this is the first time for these moving images to be made public showing these particular scenes of wartime China.

A South-Korean research group, consisting of members of the Seoul Metropolitan Government and the Seoul National University Human Rights Center, made the footage public. Researchers say the clip shows seven Korean women in front of a private house used as a “comfort station” in Songshan, Yunnan Province.

According to the Korea Times, the research team found the footage at the U.S. National Archives and Records Administration after a two-year search for film records. This source also says that the film allegedly shows a Chinese military officer of the US-China Allied forces speaking with the women.

At the time the moving images were filmed, Japan was losing the war and the US-China Allied Forces defeated the Japanese in Songshan, where ‘military comfort stations’ for the Japanese troops were situated.

The short clip was shared on Sina Weibo by several Chinese official (media) accounts, such as the Global Times and Communist Youth League . They posted the footage under the header “Conclusive Proof!” (“铁证!”)

“They look so helpless, I don’t dare to imagine their despair and fear at the time,” one netizen commented.

“Japan needs to face its wartime history,” a typical comment said.

“History is history; no matter if they admit it or not, it will be there in the hearts of the people who suffered at the hands of Japanese soldiers,” another person commented.

News of the footage also led netizens on Weibo to post more information about the suffering of Chinese comfort women during the Second Sino-Japanese War, bringing about a lot of anti-Japanese sentiments.

“We can’t report good things about the Japanese after suffering such national humiliation,” some said.

By Manya Koetse

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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1 Comment

1 Comment

  1. MOMO1333

    July 6, 2017 at 4:43 pm

    Some comfort women were forced into prostitution. But most of them were well paid prostitutes. Because, United States said so in the ww2 report.
    (US military report (1944) states Comfort Women are nothing more than prostitutes)
    http://www.exordio.com/1939-1945/codex/Documentos/report-49-USA-orig.html
    At the time, prostitution was legal in Japan. Many Japanese prostitutes went to military brothels. So most of Comfort women were Japanese, Korean origin was second largest in number.

    From the video, we cannot judge whether they are sex slaves or paid prostitutes, but at least this is the evidence they are not teenage girls. Everyone looks quite adults. (Some say they were teenage girls)

    And we should not forget Comfort women in U.S. military brothels in Korean War.
    http://blogimg.goo.ne.jp/user_image/39/cd/fb632dbe350e6eb638b0d8f0537e0c07.jpg

    Survivors of Comfort women for US military are still suffering now without apology and compensations.
    http://www.reuters.com/article/us-southkorea-usa-military-idUSKBN0FG0VV20140711

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China Media

Hu Xijin’s Comeback to Weibo

After 90 days of silence, Hu Xijin is back on Weibo—but not everyone’s thrilled.

Manya Koetse

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A SHORTER VERSION OF THIS ARTICLE WAS PART OF THE MOST RECENT WEIBO WATCH NEWSLETTER.

 

For nearly 100 days, since July 27, the well-known social and political commentator Hu Xijin (胡锡进) remained silent on Chinese social media. This was highly unusual for the columnist and former Global Times editor-in-chief, who typically posts multiple Weibo updates daily, along with regular updates on his X account and video commentaries. His Weibo account boasts over 24.8 million followers.

Various foreign media outlets speculated that his silence might be related to comments he previously made about the Third Plenum and Chinese economics, especially regarding China’s shift to treating public and private enterprises equally. But without any official statement, Chinese netizens were left to speculate about his whereabouts.

Most assumed he had, in some way, taken a “wrong” stance in his commentary on the economy and stock market, or perhaps on politically sensitive topics like the Suzhou stabbing of a Japanese student, which might have led to his being sidelined for a while. He certainly wouldn’t be the first prominent influencer or celebrity to disappear from social media and public view—when Alibaba’s Jack Ma seemed to have fallen out of favor with authorities, he went missing, sparking public concern.

After 90 days of absence, the most-searched phrases on Weibo tied to Hu Xijin’s name included:

胡锡进解封 “Hu Xijin ban lifted”
胡锡进微博解禁 “Hu Xijin’s Weibo account unblocked”
胡锡进禁言 “Hu Xijin silenced”
胡锡进跳楼 “Hu Xijin jumped off a building”


On October 31, Hu suddenly reappeared on Weibo with a post praising the newly opened Chaobai River Bridge, which connects Beijing to Dachang in Hebei—where Hu owns a home—significantly reducing travel time and making the more affordable Dachang area attractive to people from Beijing. The post received over 9,000 comments and 25,000 likes, with many welcoming back the old journalist. “You’re back!” and “Old Hu, I didn’t see you on Weibo for so long. Although I regularly curse your posts, I missed you,” were among the replies.

When Hu wrote about Trump’s win, the top comment read: “Old Trump is back, just like you!”

Not everyone, however, is thrilled to see Hu’s return. Blogger Bad Potato (@一个坏土豆) criticized Hu, claiming that with his frequent posts and shifting views, he likes to jump on trends and gauge public opinion—but is actually not very skilled at it, allegedly contributing to a toxic online environment.

Other bloggers have also taken issue with Hu’s tendency to contradict himself or backtrack on stances he takes in his posts.

Some have noted that while Hu has returned, his posts seem to lack “soul.” For instance, his recent two posts about Trump’s win were just one sentence each. Perhaps, now that his return is fresh, Hu is carefully treading the line on what to comment on—or not.

Nevertheless, a post he made on November 3rd sparked plenty of discussion. In it, Hu addressed the story of math ‘genius’ Jiang Ping (姜萍), the 17-year-old vocational school student who made it to the top 12 of the Alibaba Global Mathematics Competition earlier this year. As covered in our recent newsletter, the final results revealed that both Jiang and her teacher were disqualified for violating rules about collaborating with others.

In his post, Hu criticized the “Jiang Ping fever” (姜萍热) that had flooded social media following her initial qualification, as well as Jiang’s teacher Wang Runqiu (王润秋), who allegedly misled the underage Jiang into breaking the rules.

The post was somewhat controversial because Hu himself had previously stated that those who doubted Jiang’s sudden rise as a math talent and presumed her guilty of cheating were coming from a place of “darkness.” That post, from June 23 of this year, has since been deleted.

Despite the criticism, some appreciate Hu’s consistency in being inconsistent: “Hu Xijin remains the same Hu Xijin, always shifting with the tide.”


Hu has not directly addressed his absence from Weibo. Instead, he shared a photo of himself from 1978, when he joined the military. In that post, he reflected on his journey of growth, learning, and commitment to the country. Judging by his renewed frequency of posting, it seems he’s also recommitted to Weibo.

By Manya Koetse
(follow on X, LinkedIn, or Instagram)

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

Controversial Wanghong Livestreamers Are Becoming a Weibo Staple in China

‘Wanghong’ was a mark of online fame; now, it’s increasingly tied to controversy and scandal.

Wendy Huang

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As livestreaming continues to gain popularity in China, so do the controversies surrounding the industry. Negative headlines involving high-profile livestreamers, as well as aspiring influencers hoping to make it big, frequently dominate Weibo’s trending topics.

These headlines usually revolve around China’s so-called wǎnghóng (网红) influencers. Wanghong is a shortened form of the phrase “internet celebrity” (wǎngluò hóngrén 网络红人). The term doesn’t just refer to internet personalities but also captures the viral nature of their influence—describing content or trends that gain rapid online attention and spread widely across social media.

Recently, an incident sparked debate over China’s wanghong livestreamers, focusing on Xiaohuxing (@小虎行), a streamer with around 60,000 followers on Douyin, who primarily posts evaluations of civil aviation services in China.

Xiaohuxing (@小虎行)

On October 15, 2024, at Shenzhen Bao’an International Airport, Xiaohuxing confronted a volunteer at the automated check-in counter, insisting she remove her mask while livestreaming the entire encounter. He was heard demanding, “What gives you the right to wear a mask? What gives you the right not to take it off?” and even attempted to forcibly remove her mask, challenging her to call the police.

During the livestream, the livestreamer confronted the woman on the right for wearing a facemask.

He also argued with a male traveler who tried to intervene. In the end, the airport’s security officers detained him. Shortly after the incident, a video of the livestream went viral on Weibo under various hashtags (e.g. #网红小虎行机场强迫志愿者摘口罩#) and attracted millions of views. The following day, Xiaohuxing’s Douyin account was banned, and all his videos were removed. The Shenzhen Public Security Bureau later announced that the account’s owner, identified as Wang, had been placed in administrative detention.

On October 13, just days before, another livestreaming controversy erupted at Guangzhou Baiyun International Airport. Malatang (@麻辣烫), a popular Douyin streamer with over a million followers, secretly filmed a young couple kissing and mocked them, continuing to film while passing through security—an area where filming is prohibited.

Her livestream quickly went viral, sparking discussions about unauthorized filming and misconduct among Chinese wanghong. In response, Malatang’s agent posted an apology video. However, the affected couple hired a lawyer and reported the incident to the police (#被百万粉丝网红偷拍当事人发声#). On October 17, Malatang’s Douyin account was banned, and her videos were removed.

Livestreamer Malatang making fun of the couple in the back at the airport.

In both cases, netizens uncovered additional examples of inappropriate behavior by Xiaohuxing and Malatang in past broadcasts. For example, Xiaohuxing was reportedly aggressive towards a flight attendant, demanding she kneel to serve him, while Malatang was criticized for scolding a delivery person who declined to interact with her on camera.

Comments on Weibo included, “They’ll do anything for traffic. Wanghong are getting a bad reputation because of people like this.” Another added, “It seems as if ‘wanghong’ has become a negative term now.”

 
Rising Scrutiny in China’s Wanghong Economy
 

Xiaohuxing and Malatang are far from isolated cases. Recently, many other wanghong livestreamers have also been caught up in negative news.

One such figure is Dong Yuhui (董宇辉), a former English teacher at New Oriental (新东方) who transitioned to livestreaming for East Buy (东方甄选), where he mixed education with e-commerce (read here). Dong gained significant popularity and boosted East Buy’s brand before leaving to start his own company. Recently, however, Dong faced backlash for inaccurate statements about Marie Curie during an October 9 livestream. He incorrectly claimed that Curie discovered uranium, invented the X-ray machine, and won the Nobel Prize in Literature, among other things.

Considering his public image as a knowledgeable “teacher” livestreamer, this incident sparked skepticism among viewers about his actual expertise. A related hashtag (#董宇辉称居里夫人获得诺贝尔文学奖#) garnered over 81 million views on Weibo. In addition to this criticism, Dong is also being questioned about potential false advertising, which is a major challenge for all livestreamers selling products during their streams.

Dong Yuhui (董宇辉) during one of his livestreams.

Another popular livestreamer, Dongbei Yujie (@东北雨姐), is currently also facing criticism over product quality and false advertising claims. Originally from Northeast China, Dongbei Yujie shares content focused on rural life in the region. Recently, her Douyin account, which boasts an impressive 22 million followers, was muted due to concerns over the quality of products she promoted, such as sweet potato noodles (which reportedly contained no sweet potato). Despite issuing public apologies—which have garnered over 160 million views under the hashtag “Dongbei Yujie Apologizes” (#东北雨姐道歉#)—the controversy has impacted her account and led to a penalty of 1.65 million yuan (approximately 231,900 USD).

From Dongbei Yujie’s apology video

Former top Douyin livestreamer Fengkuang Xiaoyangge (@疯狂小杨哥) is also facing a career downturn. Leading up to the 2024 Mid-Autumn Festival, he promoted Hong Kong Meicheng mooncakes in his livestreams, branding them as a high-end Hong Kong product. However, it was soon revealed that these mooncakes had no retail presence in Hong Kong and were primarily produced in Guangzhou and Foshan, sparking accusations of deceptive marketing. Due to this incident and previous cases of misleading advertising, his company came under investigation and was penalized. In just a few weeks, Fengkuang Xiaoyangge lost over 8.5 million followers (#小杨哥掉粉超850万#).

Fengkuang Xiaoyangge (@疯狂小杨哥) and the mooncake controversy.

It’s not only ecommerce livestreamers who are getting caught up in scandal. Recently, the influencer “Xiaoxiao Nuli Shenghuo” (@小小努力生活) and her mother were arrested for fabricating a tragic story – including abandonment, adoption, and hardships – to gain sympathy from over one million followers and earn money through donations and sales. They, and two others who helped them manage their account, were sentenced to ten days in prison for ‘false advertising.’

 
Wanghong Fame: Opportunity and Risk
 

China’s so-called ‘wanghong economy’ has surged in recent years, with countless content creators emerging across platforms like Douyin, Kuaishou, and Taobao Live. These platforms have transformed interactions between content creators and viewers and changed how products are marketed and sold.

For many aspiring influencers, becoming a livestreamer is the first step to building a presence in the streaming world. It serves as a gateway to attracting traffic and potentially monetizing their online influence.

However, before achieving widespread fame, some livestreamers resort to using outrageous or even offensive content to capture attention, even if it leads to criticism. For example, before his account was banned, Xiaohuxing set his comment section to allow only followers to comment, gaining 3,000 new followers after his controversial livestream at Shenzhen Airport went viral. Many speculated that some followers joined just to leave critical comments, but it nonetheless grew his following.

As livestreamers gain significant fame, they must exercise greater caution, as they often hold substantial influence over their audiences, making accuracy essential. Mistakes, whether intentional or not, can quickly erode trust, as seen in the example of the super popular Dong Yuhui, who faced backlash after his inaccurate comment about Marie Curie sparked public criticism.

China’s top makeup livestreamer, Li Jiaqi (李佳琦), experienced a similar reputational crisis in September last year. Responding dismissively to a viewer who commented on the high price of an eyebrow pencil, Li replied, “Have you received a raise after all these years? Have you worked hard enough?” Commentators pointed out that the pencil’s cost per gram was double that of gold at the time. Accused of “forgetting his roots” as a former humble salesman, Li lost one million Weibo followers in a day (read more here).

This meme shows that many viewers did not feel moved by Li’s apologetic tears after the eyepencil incident.

Despite the challenges and risks, becoming a wanghong remains an attractive career path for many. A mid-2023 Weibo survey on “Contemporary Employment Trends” showed that 61.6% of nearly 10,000 recent graduates were open to emerging professions like livestreaming, while 38.4% preferred more traditional career paths.

 
Taming the Wanghong Economy
 

In response to the increasing number of controversies and scandals brought by some wanghong livestreamers, Chinese authorities are implementing stricter regulations to monitor the livestreaming industry.

In 2021, China’s Propaganda Department and other authorities began emphasizing the societal influence of online influencers as role models. That year, the China Association of Performing Arts introduced the “Management Measures for the Warning and Return of Online Hosts” (网络主播警示与复出管理办法), which makes it challenging, if not impossible, for “canceled” celebrities to stage a comeback as livestreamers (read more).

The Regulation on the Implementation of the Law of the People’s Republic of China on the Protection of Consumer Rights and Interests (中华人民共和国消费者权益保护法实施条例), effective July 1, 2024, imposes stricter rules on livestream sales. It requires livestreams to disclose both the promoter and the product owner and mandates platforms to protect consumer rights. In cases of illegal activity, the platform, livestreaming room, and host are all held accountable. Violations may result in warnings, confiscation of illegal earnings, fines, business suspensions, or even the revocation of business licenses.

These regulations have created a more controlled “wanghong” economy, a marked shift from the earlier, more unregulated era of livestreaming. While some view these measures as restrictive, many commenters support the tighter oversight.

A well-known Kuaishou influencer, who collaborates with a person with dwarfism, recently faced backlash for sharing “vulgar content,” including videos where he kicks his collaborator (see video) or stages sensational scenes just for attention.

Most commenters welcome the recent wave of criticism and actions taken against such influencers, including Xiaohuxing and Dongbei Yujie, for their behavior. “It’s easy to become famous and make money like this,” commenters noted, adding, “It’s good to see the industry getting cleaned up.”

State media outlet People’s Daily echoed this sentiment in an October 21 commentary, stating, “No matter how many fans you have or how high your traffic is, legal lines must not be crossed. Those who cross the red line will ultimately pay the price.”

This article and recent incidents have sparked more online discussions about the kind of influencers needed in the livestreaming era. Many suggest that, beyond adhering to legal boundaries, celebrity livestreamers should demonstrate a higher moral standard and responsibility within this digital landscape. “We need positive energy, we need people who are authentic,” one Weibo user wrote.

Others, however, believe misbehaving “wanghong” livestreamers naturally face consequences: “They rise fast, but their popularity fades just as quickly.”

When asked, “What kind of influencers do we need?” one commenter responded, “We don’t need influencers at all.”

By Wendy Huang

Edited for clarity by Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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What’s on Weibo is run by Manya Koetse (@manyapan), offering independent analysis of social trends in China for over a decade. Subscribe to show your support and gain access to all content, including the Weibo Watch newsletter, providing deeper insights into the China trends that matter.

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