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From Study Xi to Himalaya FM: Top 5 Popular Chinese Learning & Study Apps

These are some of the most popular study and learning apps for Chinese mobile users.

Gabi Verberg

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Study apps are more popular in China than ever before. These are the apps that are favorites among Chinese mobile users, to expand their knowledge and study online.

Just three years ago, we wrote about the booming business of e-learning in China and the increasing popularity of cyber studying. In a time when Chinese mobile users spend more time on their phones than ever, the market has developed a lot since then, and study apps have become more popular than ever before.

The rise of online education (在线教育) has made it possible for people to study any topic they like, no matter how old they are, where they live, or what they do. Moreover, compared to traditional education, online studying is relatively cheap, or even free, making education more accessible to people from all layers of Chinese society. In this way, online education is a source of opportunities – both for mobile users and for companies tapping into the market.

We made our selections in our lists based on the data from the Android app stores Tencent, Baidu, Huawei, and Zhushou360. We tried our best to give you a representative overview of a variety of apps that are currently most used within this category in China, but want to remind you that these lists are no official “top 5” charts.

This article is the last of a series of five articles, listing popular Chinese apps in the categories of short video & live streaming, news, health & sports, and mobile games. We’ll list the other categories for you below this article, but let’s move over to review these mobile study and learning apps now.

 

#1 Help with Homework  作业帮

Help with Homework, as the name already suggests, is an app that provides primary and secondary students with study-enhancing features, offering help with courses including Chinese, English, math, history, physics, and chemistry.

In the partly free app, students can take pictures of their homework or tests. The app will then tell them if they made any mistakes. There is also a tutoring function including audio, free lessons, extra study material, a question bank, and a dictionary. It is also possible for users to upload their own essay which will then serve as an example for others.

The app was launched in 2014 by a like-named company in Beijing. Throughout the years, the app won several awards, but more importantly, it became the holy grail of every young student across the country.

According to their own website, Help with Homework has over 400 million users. And according to a report by Jiguang, more than 84 percent of the children up to the age of 15 who have a smartphone have a favorable attitude towards the app. But not only children benefit from the app. More than 82 percent of people in the age category 36 to 45 also showed a positive attitude toward the app.

In the Tencent Appstore and Apple stores, the app currently ranks subsequently first and fifth most popular education app.

 

#2 Study Xi Strong Country  学习强国

Study Xi is an app that was launched by the Propaganda Department of the Central Committee of the Communist Party. The app was launched on January 1st of this year, and has been a hit ever since.

The app is a multi-functional educational platform that offers users various ways to study Xi Jinping Thought, Party history, Chinese culture, history, and much more. To encourage users to study, the app also awards its users with incentives. There are several ways to earn points, for example through reading articles, watching videos, spending a certain amount of time on the app, sharing or saving articles or getting all the answers right with a quiz. With enough points, users can get discounts or free items online.

For more about this app, check out our ‘Everything you need to know about the Study Xi app‘ article.

In the Apple store, the app currently ranks the most popular app overall.

 

#3 Himalaya FM 喜马拉雅FM

Himalaya is China’s most popular audio sharing platform. The app was first launched in 2013 and was an instant success. Within two years, the app reached 200 million users, and continued steady growth. In 2017, Himalaya was selected amongst the 30 most influential Chinese enterprises of the century.

According to the company’s website, Himalaya currently caters to 450 million people. They offer users a wide variety of (educational) podcasts, audiobooks, (live) radio, and music. Some audio is free, some features need to be paid for. For most paid features, users can first partly listen to the audio-book before they can decide upon whether or not they want to purchase it.

But Himalaya is not only about audio content. It is also Himalaya‘s mission to “empower podcast creators.” By providing production, distribution, and marketing support, the app also helps creators to connect with their audiences and allow them to earn money.

In the fourth quarter of 2018, Himalaya’s daily active users grew from 12 million to 13.4 million, making it the most popular app of 2018 in the category of knowledge.

Himalaya is also available in English. However, the Chinese and International Himalaya are two separate apps and use a different logo.

 

#4 iReader 掌阅

iReader is amongst the leading digital reading distribution platforms globally. The company was established in 2008, and since then set up cooperations with over 600 copyright collectives. Following the domestic success, iReader went global in 2015, and is now available in more than 150 countries and has 500 million users worldwide.

The Chinese version of the app divides its content in manga and “bookstore or book city” (书城), meaning everything but manga. Both categories, however, offer a wide variety of subjects. At first sight, most content is (partly) paid, but there is also a button for free books, audio books, and podcasts, offering access to a mass of content that helps to build on knowledge and to study.

According to a report by Jiguang, iReader was China’s 62nd most successful app in 2018.

 

#5 Kai Shu Story 凯叔讲故事

Kai Shu Story is both a storytelling app for young children as a publishing house for children’s books. The app is mainly focused on children in the kindergarten and primary school age group, offering a wide range of genres including fables and fairy tales, science and history, famous foreign works, and  – perhaps the most popular – Chinese literary works.

Different from most of the apps we covered in our “top 5 selections”, the most popular content of Kai Shu Story is has a paywall. Top paid packages include The Three Kingdoms, Poetry is Coming, Journey to the West and Kai Shu Tells History, where China’s history starting from the Shang Xia period up to the end of the Qing Dynasty is told in 635 stories.

In order to offer all users the opportunity to explore and learn in a fun way, the app also provides plenty of free content. But that is not all there is to it. Most stories end with a question to readers, who are then free to share their answers or post other remarks in a group chat. And for those whose listening skills are not so strong, most stories come with a written script too – also making this an excellent app for foreigners studying Chinese!

Kai Shu Story is founded by Mr. Wang Kai (王凯), a former host of China’s Central Television Station (CCTV) and dubbing artist (see featured image of this article). Kai dubbed thousands of famous TV dramas and movies before he resigned to spend more time with his children.

One afternoon – so the story goes – he accidentally shared a story recording for his daughter with his daughter’s kindergarten group-chat. After hearing the audio, Kai immediately received enthusiastic reactions from parents asking him to upload more stories. With his love for telling stories, he continued sharing his readings, and in no-time gathered a small fanbase. The members in the group chat gave him the affectionate name ‘Kai Shu,’ which literally translates as ‘Uncle Kai.’

From 2014 to 2016, the group-chat evolved into an official WeChat account, which subsequently led to the app. Since the launch of the app in 2016, Kai and his team have uploaded more than 8000 stories, which have been played around 3 billion times, adding up to a staggering 229 million hours of listening, according to the official website.

Kai Shu Story is currently ranked among China’s top-grossing education apps in the Chinese Apple Store.

Also see:

By Gabi Verberg, edited by Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

Gabi Verberg is a Business graduate from the University of Amsterdam who has worked and studied in Shanghai and Beijing. She now lives in Amsterdam and works as a part-time translator, with a particular interest in Chinese modern culture and politics.

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From “Public Megaphone” to “National Watercooler”: Casper Wichmann on Weibo’s Role in Digital China

With Weibo now 15 years old, we asked Sinologist Wichmann about its evolving role in shaping public opinion, its key moments, and whether it can remain a major platform for public discourse in China’s increasingly crowded digital landscape.

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WHAT’S ON WEIBO CHAPTER: 15 YEARS OF WEIBO

Over the years, Weibo has undergone significant changes in both its political and social functions. Sinologist and China correspondent Casper Wichmann explored Weibo extensively in his academic research during the platform’s early years. Now, he reflects on its evolution and current role in China’s digital landscape.

Over the past fifteen years, the Chinese social media platform Weibo has been a popular and extensively studied subject in academic research, inspiring countless studies across various disciplines.

In the initial years after the founding of Weibo (read all about Weibo’s founding in this deep dive), Danish Sinologist and China correspondent Casper Wichmann, focused on Chinese digital platforms, dedicated his MA research to studying Sina Weibo as a new public sphere on the Chinese internet. Now that more than a decade has passed, it’s time to reflect on how Weibo has changed and why this matters.

Before Casper shares his observation, some key points from his thesis “Sina Weibo as New Public Sphere.” (For those interested, here is a link to the pdf):

➡️ Wichmann’s thesis (2012) analyzed how the Chinese microblogging platform Sina Weibo serves as a “public sphere” in China, providing a new space for citizens to share information and voice public opinion. Using frameworks like Jürgen Habermas’ theory of the public sphere, Johan Lagerkvist’s concept of ideotainment (blending Party propaganda with entertainment to build legitimacy), and Andrew Mertha’s fragmented authoritarianism (how political pluralization affects policy in China), the thesis explored how Sina Weibo functions as an independent media platform while working alongside traditional media. It examined how public opinion is formed on the platform and the significant influence of both traditional media and the Chinese Party-State.

➡️ The Party-State’s relationship with Sina Weibo is complex, balancing censorship with strategic allowances to monitor public opinion, address corruption, and maintain its legitimacy. Through case studies like the Wenzhou train crash and the Bo Xilai scandal, the thesis illustrated how Sina Weibo can amplify public opinion while also showcasing the Party-State’s ultimate control over discourse.

➡️ While Sina Weibo enables public engagement and amplifies citizens’ voices, Wichmann concluded that its role as a public sphere is limited or “incomplete” due to censorship by the Chinese Party-State, which also hape discourse, use the platform for propaganda, and influences its operations and moderation.

➡️ Wichmann predicted that Sina Weibo would increasingly become a “battlefield of public opinion,” where Chinese citizens and the Party-State would compete to control narratives and influence within this digital space.

With Weibo now 15 years old, we asked Wichmann about three things:
📌 Weibo’s evolving role in shaping public opinion: Has it become more or less effective, and has its social impact shifted? Which news stories highlight Weibo’s continued relevance or its changing influence?
📌 Changing government strategies on the Weibo platform: What pivotal moments stand out when Weibo emerged as a political tool?
📌 Weibo’s present & future in a crowded digital landscape: Can it still compete as a major platform for public discourse, or is it transitioning into a new role altogether?

 

Casper Wichmann

Sinologist, China Correspondent

Casper Wichmann is a Danish Sinologist with an MA degree in China studies from the University of Copenhagen. He wrote his MA thesis on Sina Weibo in 2012 and has especially had an interest in Chinese politics, tech and social media, among many other topics. Since 2023 he has been based in Beijing as the Asia & China correspondent for Danish news media, TV 2 Denmark.

Since 2023 he has been based in Beijing as the Asia & China correspondent for Danish news media, TV 2 Denmark.

📌Weibo’s Role in Shaping Public Opinion

“15 years is a very long time anywhere in the world, but particularly so in China. If you look at how the country has changed as a whole in those past years, it is inevitable that Weibo has also transformed.

One of the biggest things is of course censorship.

I worked on my thesis in the first half of 2012 and handed it in early September that year, and a lot was happening at the time when it comes to China’s online developments. I remember that I even wrote a disclaimer in the very beginning that the whole paper might be obsolete at the time of reading, because you had a sense of where the Chinese government were moving in terms of control.

As it turned out, the government started cracking down on the influential Weibo accounts (‘大Vs’ – big, verified accounts) not long after, and also introduced laws to stop the spread of rumors. This, in turn, also paved the way for WeChat’s rise to prominence. You now have a lot of different platforms and apps on the internet in China for debate and shaping public opinion.

 

“I still believe that you cannot overlook or understate Weibo’s role as the ‘watercooler’ of China.”

 

That said, I still believe that you cannot overlook or understate Weibo’s role as the ‘watercooler’ of China where everybody comes together to talk about current affairs.

In my thesis, I argued that Sina Weibo could be seen as a Habermasian public sphere—an incomplete one—where Chinese citizens can come together and, to a large extent, freely debate information and public opinion. Even though the censorship regime has become far more effective and sophisticated, coupled with increased self-censorship, I still think that conclusion holds true 15 years after Weibo’s launch.

It is an open platform—censorship and control aside—where everyone can read, participate in conversations, and share information with the click of a button. This is clearly demonstrated by the way What’s on Weibo has highlighted many important topics over the years that sparked national debates thanks to Weibo. Additionally, can any foreign brand aiming to succeed in the Chinese market afford to completely ignore Weibo? That would be unthinkable!

 

“Foreign brands can quickly find themselves caught in massive controversies because Weibo still acts as a public megaphone”

 

In terms of its effectiveness in shaping public opinion, I think that depends on how we look at it. For instance, foreign brands can quickly find themselves caught in massive controversies because Weibo still acts as a public megaphone. Just think of the scandals involving Dolce & Gabbana (2018), H&M (2021), or Dior (2022), to name a few.

Still from the promotional D&G video that was deemed racist in China, causing major controversy in 2018 (whatsonweibo).  

There are also examples like the Tianjin explosion in 2015, which quickly became national news and sparked public debate, largely thanks to Weibo—despite the aforementioned censorship measures.

The enormous Tianjin explosions took place on August 12, injuring hundreds of people. Many people only learnt of the news through social media rather than traditional news outlets, which initially did not report the blasts.

Another example is the tragic death of Dr. Li Wenliang, the COVID-19 whistleblower, where netizens mourned his passing while venting their frustrations on Weibo.

Lastly, the spread of the “Voices of April” video—a compilation of real audio snippets capturing Shanghai residents’ struggles during the Covid crisis in April 2022—is another notable example of Chinese netizens overwhelming censorship by reaching critical mass. While this occurred across various platforms, Weibo played a key role due to its nature as a public space for discussion.

All in all, Weibo is still a very important and effective platform on the Internet in China for public discussions, debates, and shaping public opinion. However, it is also up against a censorship regime that has evolved and continues to evolve alongside it. That said, one should never underestimate the creativity of Chinese netizens.”

 
📌Government Strategies and Control on Weibo
 

“In the early years of Weibo, some Chinese politicians and overseers found use of Weibo as a political tool. A specific example I included in my thesis was the drama surrounding the political downfall of Bo Xilai, then party secretary of Chongqing and a rising princeling within the Party, and the Wang Lijun scandal.

There seemed to be considerable evidence that netizens on Weibo were allowed for a long time to criticize and slander Bo Xilai before censorship eventually stepped in. There is no doubt that this made it easier for the Party leadership to oust Bo Xilai following the high-profile corruption case.

 

“As a tool to gauge public opinion, Weibo also enables authorities to monitor potential issues and nip them in the bud before they escalate into major problems”

 

I also think that Weibo’s importance as a tool for the Chinese government to gauge public opinion and sentiment should not be underestimated. It enables authorities to monitor potential issues and nip them in the bud before they escalate into major problems. It also facilitates public scrutiny of lower-level officials and governance within the Chinese system (舆论监督 yúlùn jiāndū, “supervision by public opinion”, also see CMP).

Bo Xilai during his trial.

Another important point is that the government and Party seem to have learned that it is often safer to let people debate, complain, and vent online, as it can give them a sense of being heard and allow them to release frustrations without escalating into physical demonstrations. Of course, there are exceptions where such online discourse also leads to physical protests.

There is also the aspect of how long Chinese netizens can maintain focus on a specific topic. For example, the Tianjin explosion I mentioned earlier quickly became a national debate, but over time it shifted back to being a local issue as Weibo users moved on to other topics. I have no doubt that the Chinese government has increasingly learned to use this dynamic to their advantage. It would be fascinating to study which types of topics reach the top trending lists, how long they stay there, how they are censored, and what topics eventually replace them.”

 
📌Weibo’s Business and China’s Competitive Digital Landscape
 

“It really says a lot about Weibo that it has managed to remain significant in China’s digital landscape, even after the rise of other major platforms, including WeChat, and despite the strict regulations and major crackdowns on the platform.

For example, WeChat experienced a surge in active users after the 2012 crackdown, as many felt Weibo had become boring due to key opinion leaders being increasingly cautious of censorship.

 

“Platforms in China are competing to capture as much of Chinese netizens’ time and attention as possible.”

 

Nowadays, there is a growing number of newer and more exciting apps and platforms in China, all competing to capture as many hours, minutes, and seconds of Chinese netizens’ attention as possible. However, I believe Weibo’s unique usage and role in the digital ecosystem are hard to replicate.

To reiterate, the platform’s “national watercooler” aspect—where everyone can check in, get a sense of what the rest of the country is talking about, and join the conversation themselves—should not be underestimated.

That said, Weibo still needs to consistently provide a service and product that Chinese users feel offers them real value. If it can continue to do so, I don’t see Weibo becoming irrelevant anytime soon.”🔚

 
To read more about the evolution of Weibo, also read: “15 Years of Weibo: The Evolution of China’s Social Media Giant

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2025 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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“Dear Li Hua”: The TikTok/Xiaohongshu Honeymoon Explained

As American ‘TikTok Refugees’ flock to China’s Xiaohongshu (Rednote), their encounter with ‘Li Hua’ strikes a chord in divided times.

Manya Koetse

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FROM THE WEIBO WATCH PREMIUM NEWSLETTER

China’s Xiaohongshu (Rednote) has seen an unprecedented influx of foreign “TikTok refugees” over the past week, giving rise to endless jokes. But behind this unexpected online migration lie some deeper themes—geopolitical tensions, a desire for cultural exchange, and the unexpected role of the fictional character Li Hua in bridging the divide.

Imagine you are Li Hua (李华), a Chinese senior high school student. You have a foreign friend, far away, in America. His name is John, and he has asked you for some insight into Chinese Spring Festival, for an upcoming essay has to write for the school newspaper. You need to write a reply to John, in which you explain more about the history of China’s New Year festival and the traditions surrounding its celebrations.

This is the kind of writing assignment many Chinese students have once encountered during their English writing exams in school during the Gaokao (高考), China’s National College Entrance Exams. The figure of ‘Li Hua’ has popped up on and off during these exams since at least 1995, when Li invited foreign friend ‘Peter’ to a picnic at Renmin Park.

Over the years, Li Hua has become somewhat of a cultural icon. A few months ago, Shangguan News (上观新闻) humorously speculated about his age, estimating that, since one exam mentioned his birth year as 1977, he should now be 47 years old—still a high school student, still helping foreign friends, and still introducing them to life in China.

Li Hua: the connector, the helper, the icon.

This week, however, Li Hua unexpectedly became a trending topic on social media—in a week that was already full of surprises.

With a TikTok ban looming in the US (delayed after briefly taking effect on Sunday), millions of American TikTok users began migrating to other platforms this month. The most notable one was the Chinese social media app Xiaohongshu (now also known as Rednote), which saw a massive influx of so-called “TikTok refugees” (Tiktok难民). The surge propelled Xiaohongshu to the #1 spot in app stores across the US and beyond.

This influx of some three million foreigners marked an unprecedented moment for a domestic Chinese app, and Xiaohongshu’s sudden international popularity has brought both challenges and beautiful moments. Beyond the geopolitical tension between the US and China, Chinese and American internet users spontaneously found common ground, creating unique connections and finding new friends.

While the TikTok/Xiaohongshu “honeymoon” may seem like just a humorous trend, it also reflects deeper, more complex themes.

 
✳️ National Security Threat or Anti-Chinese Witchhunt?
 

At its core, the “TikTok refugee” trend has sprung from geopolitical tensions, rivalry, and mutual distrust between the US and China.

TikTok is a wildly popular AI-powered short video app by Chinese company ByteDance, which also runs Douyin, the Chinese counterpart of the international TikTok app. TikTok has over 170 million users in the US alone.

A potential TikTok ban was first proposed in 2020, amid escalating US-China tensions. President Trump initiated the move, citing security and data concerns. In 2024, the debate resurfaced in global headlines when President Biden signed the “Protecting Americans from Foreign Adversary Controlled Applications Act,” giving ByteDance nine months to divest TikTok or face a US ban.

TikTok, however, has continuously insisted it is apolitical, does not accept political promotion, and has no political agenda. Its Singaporean CEO Shou Zi Chew maintains that ByteDance is a private business and “not an agent of China or any other country.”

🇺🇸 From Washington’s perspective, TikTok is viewed as a national and personal security threat. Officials fear the app could be used to spread propaganda or misinformation on behalf of the Chinese Communist Party.

🇨🇳 Beijing, meanwhile, criticizes the ban as an act of “bullying,” accusing the US of protectionism and attempting to undermine China’s most successful internet companies. They argue that the ban reflects America’s inability to compete with the success of Chinese digital products, labeling the scrutiny around TikTok as a “witch hunt.”

Political cartoon about the American “witchhunt” against TikTok, shared on Weibo in 2023, also published on Twitter by Lianhe Zaobao.

“This will eventually backfire on the US itself,” China’s Foreign Ministry spokesperson Wang Wenbin predicted in 2024.

Wang turned out to be quite right, in a way.

When it became clear in mid-January that the ban was likely to become a reality, American TikTok users grew increasingly frustrated and angry with their government. For many of these TikTok creators, the platform is not just a form of entertainment—it has become an essential part of their income. Some directly monetize their content through TikTok, while others use it to promote services or products, targeting audiences that other platforms like Facebook, Instagram, or X can no longer reach as effectively.

Initially, the mass migration of American users to Xiaohongshu was a symbolic protest against US policies. Users advocated for the right to choose their preferred social media, and voiced their frustration at how their favorite app had become a pawn in US-China geopolitical tensions. Rejecting the narrative that “data must be protected from the Chinese,” many pointed out that privacy concerns were equally valid for US-based platforms. As an act of playful political defiance, these users downloaded Xiaohongshu to demonstrate they didn’t fear the government’s warnings about Chinese data collection.

(If they had the option, by the way, they would have installed Douyin—the actual Chinese version of TikTok—but it is only available in Chinese app stores, whereas Xiaohongshu is accessible in international stores, so it was picked as ‘China’s version of TikTok.’)

Xiaohongshu is actually not the same as TikTok at all. Founded in 2013, Xiaohongshu (literal translation: Little Red Book) is a popular app with over 300 million users that combines lifestyle, travel, fashion, and cosmetics with e-commerce, user-generated content, and product reviews. Like TikTok, it offers personalized content recommendations and scrolling videos, but is otherwise different in types of engagement and being more text-based.

As a Chinese app primarily designed for a domestic audience, the sudden wave of foreign users caused significant disruption. Xiaohongshu must adhere to the guidelines of China’s Cyberspace Administration, which requires tight control over information flows. The unexpected influx of foreign users undoubtedly created challenges for the company, not only prompting them to implement translation tools but also recruiting English-speaking content moderators to manage the new streams of content. Foreigners addressing sensitive political issues soon found their accounts banned.

Of course, there is undeniable irony in Americans protesting government control by flocking to a Chinese app functioning within an internet system that is highly controlled by the government—a move that sparked quite some debate and criticism as well.

 
✳️ The Sino-American ‘Dear Li Hua’ Moment
 

While the initial hype around Xiaohongshu among TikTok users was political, the trend quickly shifted into a moment of cultural exchange. As American creators introduced themselves on the platform, Chinese users gave them a warm welcome, eager to practice their English and teach these foreign newcomers how to navigate the app.

Soon, discussions about language, culture, and societal differences between China and the US began to flourish. Before long, “TikTok refugees” and “Xiaohongshu natives” were collaborating on homework assignments, swapping recipes, and bonding through humor.

For instance, Chinese users jokingly asked the “TikTok refugees” to pay a “cat tax” for seeking refuge on their platform, which American users happily fulfilled by posting adorable cat photos. American users, in turn, joked about becoming best friends with their “Chinese spies,” playfully mocking their own government’s fears about Chinese data collection.

The newfound camaraderie sparked creativity, as users began generating humorous images celebrating the bond between American and Chinese netizens—like Ronald McDonald cooking with the Monkey King or the Terra Cotta Soldier embracing the Statue of Liberty. Later, some images even depicted the pair welcoming their first “baby.”

🇺🇸 At the same time, it became clear just how little Americans and Chinese truly know about each other. Many American users expressed surprise at the China they discovered through Xiaohongshu, which contrasted sharply with negative portrayals they’ve seen in the media. While some popular US narratives often paint Chinese citizens as “brainwashed” by their government, many TikTok users began to reflect on how their own perspectives had been shaped—or even “manipulated”—by their media and government.

🇨🇳 For Chinese users, the sudden interaction underscored their digital isolation. Over the past 15 years, China has developed its own tightly regulated digital ecosystem, with Western platforms like Facebook, Twitter, Instagram, and YouTube inaccessible in the mainland. While this system offers political and economic advantages, it has left many young Chinese people culturally hungry for direct interaction with foreigners—especially after years of reduced exchange caused by the pandemic, trade tensions, and bilateral estrangement. (Today, only some 1,100 American students are reportedly studying in China.)

The enthusiasm and eagerness displayed by American and Chinese Xiaohongshu users this week actually underscores the vacuum in cultural exchange between the two nations.

As a result of the Xiaohongshu migration, language-learning platform Duolingo reported a 216% rise in new US users learning Mandarin—a clear sign of growing interest in bridging the US-China divide.

Mourning the lack of intercultural communication and celebrating this unexpected moment of connection, Xiaohongshu users began jokingly asking Americans if they had ever received their “Li Hua letters.”

What started as some lighthearted remarks evolved into something much bigger as Chinese users dug up their old Gaokao exam papers and shared the letters they had written to their imaginary foreign friends years ago. These letters, often carefully stored in drawers or organizers, were posted with captions like, “Why didn’t you reply?” suggesting that Chinese students had been trying to reach out for years.

Example letters on Xiaohongshu: ‘Li Hua’ writing to foreign friends.

The story of ‘Li Hua’ and the replies he never received struck a chord with American Tiktok users. One user, Debrah.71, commented:
It was the opposite for us in the USA. When I was in grade school, we did the same thing—we had foreign pen pals. But they did respond to our letters.”

Then, something extraordinary happened: Americans started replying to Li Hua.

One user, Douglas (@neonhotel), posted a heartfelt video of him writing a letter to Li Hua:

📝”Dear Li Hua, I’m sorry I didn’t get your letters. I understand you’ve been writing me for a long time, but now I’m here to reply. Hello, from your American friend. I hope you’re well. Life here is pretty normal—we go to work, hit the gym, eat dinner, watch TV. What about you? Please write back. I’m sorry I didn’t reply before, but I’m here now. Your friend, Douglas.”

Another user, Tess (@TessSaidThat), wrote:

📝”Dear Li Hua, I hope this letter finds you well. I’m so sorry my response is so late. My government never delivered your letters. Instead, they told me you didn’t want to be my friend. Now I know the truth, and I can’t wait to visit. Which city should I visit first? With love, Tess.”

Examples of Dear Li Hua letters.

Other replies echoed similar sentiments:

📝”Dear Li Hua, I’m sorry the world kept us apart.”

📝”I know we don’t speak the same language, but I understand you clearly. Your warmth and genuine kindness transcend every barrier.”

📝”Did you achieve your dreams? Are you still practicing English? We’re older now, but wherever we are, happiness is what matters most.”

These exchanges left hundreds of users—both Chinese and American, young and old, male and female—teary-eyed. In a way, it’s the emotional weight of the distance—represented by millions of unanswered letters—that resonated deeply with both “TikTok refugees” and “Xiaohongshu natives.”

Emotional responses to the Li Hua letters.

The letters seemed to symbolize the gap that has long separated Chinese and American people, and the replies highlighted the unusual circumstances that brought these two online communities together. This moment of genuine cultural exchange made many realize how anti-Chinese, anti-American sentiments have dominated narratives for years, fostering misunderstandings.

Xiaohongshu commenter.

On the Chinese side, many people expressed how emotional it was to see Li Hua’s letters finally receiving replies. Writing these letters had been a collective experience for generations of Chinese students, creating messages to imaginary foreign friends they never expected to meet.

Receiving a reply wasn’t just about connection; it was about being truly seen at a time when Chinese people often feel underrepresented or mischaracterized in global contexts. Some users even called the replies to the Li Hua letters a “historical moment.”

 
✳️ Unity in a Time of Digital Divide
 

Alongside its political and cultural dimensions, the TikTok/Xiaohongshu “honeymoon” also reveals much about China and its digital environment. The fact that TikTok, a product of a Chinese company, has had such a profound impact on the American online landscape—and that American users are now flocking to another Chinese app—showcases the strength of Chinese digital products and the growing “de-westernization” of social media.

Of course, in Chinese official media discourse, this aspect of the story has been positively highlighted. Chinese state media portrays the migration of US TikTok users to Xiaohongshu as a victory for China: not only does it emphasize China’s role as a digital superpower and supposed geopolitical “connector” amidst US-China tensions, but it also serves as a way of mocking US authorities for the “witch hunt” against TikTok, suggesting that their actions have ultimately backfired—a win-win for China.

The Chinese Communist Party’s Publicity Department even made a tongue-in-cheek remark about Xiaohongshu’s sudden popularity among foreign users. The Weibo account of the propaganda app Study Xi, Strong Country, dedicated to promote Party history and Xi Jinping’s work, playfully suggested that if Americans are using a Chinese social media app today, they might be studying Xi Jinping Thought tomorrow, writing: “We warmly invite all friends, foreign and Chinese, new and old, to download the ‘Big Red Book’ app so we can study and make progress together!”

Perhaps the most positive takeaway from the TikTok/Xiaohongshu trend—regardless of how many American users remain on the app now that the TikTok ban has been delayed—is that it demonstrates the power of digital platforms to create new, transnational communities. It’s unfortunate that censorship, a TikTok ban, and the fragmentation of global social media triggered this moment, but it has opened a rare opportunity to build bridges across countries and platforms.

The “Dear Li Hua” letters are not just personal exchanges; they are part of a larger movement where digital tools are reshaping how people form relationships and challenge preconceived notions of others outside geopolitical contexts. Most importantly, it has shown Chinese and American social media users how confined they’ve been to their own bubbles, isolated on their own islands. An AI-powered social media app in the digital era became the unexpected medium for them to share kind words, have a laugh, exchange letters, and see each other for what they truly are: just humans.

As millions of Americans flock back to TikTok today, things will not be the same as before. They now know they have a friend in China called Li Hua.

By Manya Koetse

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