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Tuning Into the Year of the Snake

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Featured image created by Xiaohongshu user “小罗Design”, title:《🥟饺子里的温暖 —— 回家过年》/ “The Warmth of a Dumpling – Going home for the Chinese New Year”

PREMIUM NEWSLETTER | ISSUE #45

Overview:
Dear Reader – Watching the CMG Gala
What’s on Weibo Chapters – 15 Years of Weibo
What’s Popular – The “China Chic Girl” & Sketchy Takeout Food
What’s Noteworthy – China’s Artificial Sun
What’s Memorable – “The Spring Festival Survival Toolkit”
Weibo Word of the Week – Fake Foreigners

 

Dear Reader,

 

This week, trending topics in China were dominated by two themes: Trump and the Chinese New Year. Unsurprisingly, it’s clear which of the two is the most significant for most people: the Spring Festival and the journey home. The phrase “回家” (huí jiā), meaning “returning home,” has been flooding social media in recent days.

The Chinese New Year, or the Spring Festival, falls on January 29 this year, welcoming the Year of the Snake. Spring Festival is the most important time of the year for family reunions, and for some, it’s the only time of the year to be together. The travel home, whether by car, plane, or train, often comes with sentimentality and melancholy. Adult children who lead important and busy professional lives suddenly find themselves transformed into their parents’ “babies” again, getting stuffed with food and peppered with endless questions.

“Going home” visualized by Xiaohongshu users through AI and digital images.

Although it is a joyous occasion, the social aspect of the Chinese New Year is not welcomed by everyone. On apps like Xiaohongshu, netizens are publishing guides on how to survive the celebrations, and the term “Spring Festival Social Anxiety” (春节社交焦虑) pops up frequently. Younger people, in particular, who want to avoid questions about their personal lives—such as their work, marital status, or income—often feel stressed out by family reunions and the pressure of not meeting their family’s expectations. For years, netizens have been sharing the questions they dread the most.

 
Spring Festival Gala: The Ultimate Distractor
 

But there is one major ray of light during the long Chinese New Year’s Eve, it’s the show everybody loves to hate but still watches—the China Media Group (CMG) Spring Festival Gala. As the ultimate distractor, it captivates millions of households, providing a much-needed escape from awkward conversations and family pressures.

Better known as Chunwan (春晚), the Spring Festival Gala is one of the world’s most-watched live televised events. Lasting a total of four hours, roughly from 8pm to 1am Beijing time, it has been annually broadcasted since 1983 and has become an integral part of the Chinese New Year’s Eve. While many young people consider the show corny and old-fashioned, it has become deeply ingrained in China’s social media culture, where complaining about the show on Weibo has become its own New Year tradition.

Since 2016, I’ve annually live-blogged the entire show from start to finish. Unfortunately, I won’t be able to do so this year as I’ll be on the road, but here are some key pointers on what to pay attention to.

 
Mixing Official Propaganda with Entertainment
 

📺 First, you might ask: why should you watch the Gala at all? One reason is its sheer viewership and the chance to be part of a collective experience. Last year, over 420 million people reportedly watched the show, generating billions of mentions across social media platforms.

🇨🇳 An even better reason, though, is to see what the show is highlighting. As CMG is under the direct control of the Central Propaganda Department of the Chinese Communist Party, the Gala serves as an important moment for the Party to convey its official ideology, promote traditional culture, and showcase the nation’s top performers. While it’s also a commercial event, the Gala remains highly political, mixing official propaganda with entertainment.

Watching the entire show from start to finish be a bit much, but keeping an eye on the key highlights and noteworthy moments is definitely worth your time. It offers insights into important themes across culture, entertainment, politics, diplomacy, and even military affairs.

🪖 For example, last year’s Gala drew attention with the performance of the PLA song “Decisive Victory” (决胜). Delivered by artists from the PLA Cultural and Artistic Center, the performance featured soldiers in combat gear marching and dancing, with a backdrop of rockets, tanks, and war-like scenes. Taiwanese media framed the song as a reflection of mainland China’s military stance toward Taiwan, and some Weibo users interpreted it similarly. The performance gained further attention because it followed a duet of the song “Etiquette” (礼序) sung by performers from both Taiwan and mainland China, interpreted by some as a statement of “diplomacy comes before violence” (先礼后兵).

🏔️ This year’s Gala will not only feature performances from Beijing but also sub-venues in Wuhan, Lhasa, Wuxi, and Chongqing. For these cities, it’s a valuable opportunity to promote local culture and attract more tourists.

🤖 In recent years, the Gala has also become a platform to showcase China’s innovative digital technologies. In 2021, the show explicitly branded itself as a “tech innovation event” by incorporating 8K ultra-high-definition video, AI+VR studio technologies, and cloud-based performance coordination. This year, expect even more cutting-edge tech, including virtual production, 3D effects, and advanced AI, to bring Chinese cultural performances to life while underscoring China’s role as a global tech leader.

🧏‍♂️ Notably, this year’s Gala will feature audio-described and sign language versions for the first time, making it accessible to visually and hearing-impaired audiences. Sign language interpreters, using AR virtual technology, will appear in the Gala studio alongside the live broadcast. A split-screen feature will show both the live program and the interpreters, supported by AI-generated subtitles for hearing-impaired viewers. This marks a significant step toward a more inclusive approach by state media.

📕 One of this year’s key sponsors is Xiaohongshu (aka Rednote), an app that has recently dominated headlines as a surge of “TikTok refugees” migrated to its platform. Partnering with the Spring Festival Gala is a major traffic and visibility boost, making this one of Xiaohongshu’s most commercially successful years since its 2013 launch.

👩🏻 Also noteworthy: for the third time in a row, the Gala is directed by female director Yu Lei (于蕾), who also directed the 2024 and 2023 Gala. The 46-year-old Yu Lei previously also served as the general scriptwriter and overall designer for the Gala. The past year has really been a flourishing year for female directors in China, from cinema to TV, where female directing talent has been more visible and successful than ever before. This rise of female talent is also reflected in the Gala’s top creative team consists of 19 people: 11 of them are female.

📽 By now, the last rehearsal of the show has already been completed. The entire show is usually completely rehearsed a total of five times before Chinese New Year’s Eve. These rehearsals are recorded and almost nothing ever goes wrong during the live show – besides some bad lipsyncing here and there – since the recording is running at the same time so that producers can always switch to a pre-recorded act.

🔶️ On January 28, the show will also air via various channels, from CCTV to Bilibili, and also via Youtube here. The entire programme is usually released a day before.

Happy watching! Wishing you all joy, prosperity, plenty of dumplings, and good health in the Year of the Snake.

Best,
Manya
(@manyapan)

 

15 Years of Weibo

Last week, I shared the first deep dive of What’s on Weibo Chapters with you. This month, our theme is 15 Years of Weibo. This week, Sinologist and China correspondent Casper Wichmann shares his insights on Weibo’s evolving role in shaping public opinion, its key moments, and whether it can remain a major platform for public discourse in China’s increasingly crowded digital landscape. At the University of Copenhagen, Wichmann previously researched Sina Weibo as a new public sphere on the Chinese internet.

With Weibo now 15 years old, we asked Wichmann about three things:
📌 Weibo’s evolving role in shaping public opinion: Has it become more or less effective, and has its social impact shifted? Which news stories highlight Weibo’s continued relevance or its changing influence?
📌 Changing government strategies on the Weibo platform: What pivotal moments stand out when Weibo emerged as a political tool?
📌 Weibo’s present & future in a crowded digital landscape: Can it still compete as a major platform for public discourse, or is it transitioning into a new role altogether?

Read this feature article to find out what Casper had to say about this:

Read here
 

 

The latest buzz in arts, marketing & pop culture

by Ruixin Zhang

“What should we order for dinner?” is a daily dilemma for millions of Chinese consumers in one of the world’s largest food delivery markets. With numerous platforms, cuisines, menus, and discount options, choosing the right takeout—one that is tasty, affordable, and safe—can feel like a daunting task.

But these days, many Chinese people follow a simple rule to identify bad takeout: if your delivery comes in packaging featuring a playful young woman wearing sunglasses, a traditional Peking opera headdress, and holding a fan—often with the bold trendy character “潮” (cháo, meaning “trend”)—it’s likely to be an unhealthy meal with potential food safety risks.

As one netizen joked, “I was so excited for my takeout, only to see this lady on the package and feel my heart sink.” Why does this seemingly cheerful cartoon figure has come to evoke so much distrust and dislike?

This story starts in 2020, when digital illustrator @YUMI created the “China-chic Girl” image in response to a client’s request for a design that embodied the “China-chic” (国潮, guócháo) aesthetic.

China-chic, or guócháo—literally meaning “national tide”—refers to the rise of Chinese domestic (fashion) brands that often incorporate culturally Chinese elements into contemporary designs. This trend emerged as a reflection of growing nationalist sentiment in China, offering a Chinese counterpart to popular Japanese or Korean-inspired styles. From fashion and makeup to milk tea, ‘China-chic’ quickly became a defining element of China’s consumer culture (read more here).

However, when YUMI’s client failed to pay, she chose to release the design for free public use. YUMI’s creation—a blend of traditional Peking opera elements and modern sunglasses—struck a chord with its simple yet iconic charm. Its accessibility made it even more appealing, and the China-chic Girl soon became the go-to design for restaurants looking for affordable, visually striking takeout packaging.

On China’s wholesale website 1688, you can find a wide range of cheap takeout packaging with the “China-chic girl” on it.

The China-chic Girl was all the rage, until last fall.

Starting in September, some delivery drivers began exposing filthy kitchen conditions on social media, warning customers to avoid takeout from certain restaurants after witnessing food safety issues and kitchen hazards while waiting for orders.

Over time, people began noticing a pattern: the dirtiest kitchens were often small, non-chain establishments with no physical storefronts—just cramped spaces dedicated solely to takeout. Operating on tight budgets, these businesses often chose the inexpensive China-chic girl packaging to cut costs, unintentionally associating the China-chic girl with unsanitary and unsafe food practices.

As a result, netizens—especially young people who heavily rely on food delivery—started compiling guides to help each other avoid sketchy takeout options. The warning signs? Restaurants offering “cashback for good reviews” or those that lack a proper storefront, often listing only food items instead of a real restaurant name. These red flags point to private kitchens, poorly managed spaces, or even unregulated food safety practices. Additionally, many of these ‘China-chic takeouts’ thrive within the “group-buying” model on food delivery platforms.

The “group-buying” model, popularized by platforms like Temu and its Chinese counterpart Pinduoduo (拼多多), allows users to invite friends, family, or colleagues to purchase a product together at a discounted price.

This strategy has since evolved into a pseudo-group-buying model, where even without inviting others, the group-buying discount is still applied. These discounts are carefully calculated by platforms to ensure that, even at reduced prices, profits can still be made due to the high sales volume.

Both Meituan (美团) and Eleme (饿了么)—the two largest food delivery platforms in China—have adopted this approach by introducing budget-friendly services such as Pinhaofan (拼好饭) and Pintuan (拼团) to target lower-tier markets.

For example, a typical 30 RMB ($4.15) takeout might cost only half that price through these services, with additional platform coupons and new user discounts making it almost irresistibly affordable.

But, of course, there’s no such thing as a free lunch. As many users have discovered, getting a full meal for under 10 RMB ($1.40) often comes at the expense of quality. These Pinhaofan takeouts commonly feature pre-made dishes with indistinguishable ingredients, flimsy utensils that can’t even scoop rice, a box of suspicious juice full of artificial coloring, low-grade packaging, and, of course, that cheap, once-iconic China-chic design.

(Want to know more? There’s more to know on how “China chic girl” has gone from being a playful symbol of pride in domestic products to representing the problems of China’s fast and cheap takeout industry: read the rest of the article here.)

 

What’s Noteworthy

Smaller headlines with big impact, by Grimm Belterman

Since the week was filled with headlines about Trump’s inauguration, you might have missed another major event: the breakthrough of China’s “Artificial Sun,” a nuclear fusion reactor, which broke its own record and brought humanity closer to achieving near-limitless clean energy. Online, this milestone was celebrated as a sign of China’s growing technological and scientific leadership, with many envisioning a future of carbon-free energy led by China.

The record was set on January 20, when the Chinese Experimental Advanced Superconducting Tokamak (先进实验超导托卡马克实验装置), or EAST, operated stably for 1,066 seconds. EAST is a nuclear fusion reactor located at the Hefei Institute of Physical Science in Anhui province, designed to generate clean and sustainable nuclear energy.

EAST is often called the “Artificial Sun” because it mimics the process that powers stars—fusing hydrogen atoms to release vast amounts of energy in the form of heat. During this experiment, EAST generated temperatures exceeding 100 million degrees Celsius—around seven times hotter than the Sun’s core. This new record surpassed the previous one of 403 seconds, also set by EAST in 2023, by more than double.

This “triumph” sparked widespread excitement on platforms like Weibo. Hashtags such as “Artificial Sun Sets 1 Billion Degrees for 1,000 Seconds” (#人造太阳创1亿摄氏度1000秒纪录# ) and “China’s Artificial Sun Makes Major Breakthrough” (#中国的人造太阳有重大突破#) made it into the top trending lists. Notably, some netizens framed the achievement within the context of global technology competition, proudly highlighting China’s progress as surpassing that of the US and EU.

 

What’s Memorable

Best reads from the archive

As the 2017 Chinese New Year approached, a humorous and unique song went viral on Chinese social media. It captured the pressure young people face when bombarded with nagging questions from family and relatives during the Spring Festival.

Composer Jin Chengzhi (金承志) and his choir, The Rainbow Chamber Singers (上海彩虹合唱团), won the hearts of Chinese netizens with their hit song “What I Do Is For Your Own Good” (春节自救指南, literally: The Spring Festival Survival Toolkit). A perfect pick for this week’s archive spotlight—check out the explanation and video via the link below.

Read here
 

Weibo Word of the Week

The catchword to know

Fake Foreigners | Our Weibo phrase of the week is 仿冒外国用户账号, fǎngmào wàiguó yònghù zhànghào, meaning “fake foreign user accounts” or “user accounts that pretend to be foreigners.”

The phrase came up in a Weibo hashtag last week that attracted over 210 million views (#抖音已处理1万多仿冒外国用户账号#), about Douyin, the Chinese version of TikTok, having dealt with more than 10,000 fake foreign accounts in the wake of the “TikTok Refugee” trend.

In case you missed it (though you probably didn’t): With a TikTok ban looming in the US (briefly taking effect last Sunday before being delayed), millions of American TikTok users began migrating to other platforms this month. The most notable was the Chinese social media app Xiaohongshu (also known as Rednote), which saw a huge influx of so-called “TikTok refugees” (TikTok难民). Many were searching for what they believed to be a “Chinese version of TikTok” (read more about the story here). Seeing Xiaohongshu’s success, Douyin, the actual Chinese version of TikTok, also opened its registration process to international users.

What started as a protest against the TikTok ban and US policies turned into a surprising celebration of cultural exchange. Chinese and American netizens found a digital space to interact and connect—on the Chinese internet.

However, the hype also brought its downsides. Black market groups quickly jumped on the trend, looking to profit by gaining followers and click traffic. They created thousands of fake “foreign” accounts by reposting videos or even crafting AI-generated foreign personas.

Is the painting moving, or is this just another fake foreigner?

This phenomenon has fueled skepticism among Chinese internet users—already wary of online scams—about connecting with strangers online. One netizen joked, “Don’t buy anything from people and don’t make new friends, and you’ll never be scammed.”

Others commented: “Xiaohongshu and Douyin’s teams must be swamped these days. Meanwhile, Weibo is nice and quiet in comparison!”

This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.

Stories that are authored by the What's on Weibo Team are the stories that multiple authors contributed to. Please check the names at the end of the articles to see who the authors are.

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Newsletter

TikTok Refugees, Xiaohongshu, and the Letters from Li Hua

Manya Koetse

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PREMIUM NEWSLETTER | ISSUE #43

Overview:
Dear Reader – “Dear Li Hua”: Explaining the TikTok Xiaohongshu Honeymoon
What’s on Weibo Chapters – 15 Years of Weibo
What’s Popular – ‘Black Myth Wukong’ at Spring Festival
What’s Memorable – Fleeing to Iceland

 

Dear Reader,

 

Imagine you are Li Hua (李华), a Chinese senior high school student. You have a foreign friend, far away, in America. His name is John, and he has asked you for some insight into Chinese Spring Festival, for an upcoming essay has to write for the school newspaper. You need to write a reply to John, in which you explain more about the history of China’s New Year festival and the traditions surrounding its celebrations.

This is the kind of writing assignment many Chinese students have once encountered during their English writing exams in school during the Gaokao (高考), China’s National College Entrance Exams. The figure of ‘Li Hua’ has popped up on and off during these exams since at least 1995, when Li invited foreign friend ‘Peter’ to a picnic at Renmin Park.

Over the years, Li Hua has become somewhat of a cultural icon. A few months ago, Shangguan News (上观新闻) humorously speculated about his age, estimating that, since one exam mentioned his birth year as 1977, he should now be 47 years old—still a high school student, still helping foreign friends, and still introducing them to life in China.

This week, however, Li Hua unexpectedly became a trending topic on social media—in a week that was already full of surprises.

With a TikTok ban looming in the US (delayed after briefly taking effect on Sunday), millions of American TikTok users began migrating to other platforms this month. The most notable one was the Chinese social media app Xiaohongshu (now also known as Rednote), which saw a massive influx of so-called “TikTok refugees” (Tiktok难民). The surge propelled Xiaohongshu to the #1 spot in app stores across the US and beyond.

This influx of some three million foreigners marked an unprecedented moment for a domestic Chinese app, and Xiaohongshu’s sudden international popularity has brought both challenges and beautiful moments. Beyond the geopolitical tension between the US and China, Chinese and American internet users spontaneously found common ground, creating unique connections and finding new friends.

While the TikTok/Xiaohongshu “honeymoon” may seem like just a humorous trend, it also reflects deeper, more complex themes.

 
✳️ National Security Threat or Anti-Chinese Witchhunt?
 

At its core, the “TikTok refugee” trend has sprung from geopolitical tensions, rivalry, and mutual distrust between the US and China.

TikTok is a wildly popular AI-powered short video app by Chinese company ByteDance, which also runs Douyin, the Chinese counterpart of the international TikTok app. TikTok has over 170 million users in the US alone.

A potential TikTok ban was first proposed in 2020, amid escalating US-China tensions. President Trump initiated the move, citing security and data concerns. In 2024, the debate resurfaced in global headlines when President Biden signed the “Protecting Americans from Foreign Adversary Controlled Applications Act,” giving ByteDance nine months to divest TikTok or face a US ban.

TikTok, however, has continuously insisted it is apolitical, does not accept political promotion, and has no political agenda. Its Singaporean CEO Shou Zi Chew maintains that ByteDance is a private business and “not an agent of China or any other country.”

🇺🇸 From Washington’s perspective, TikTok is viewed as a national and personal security threat. Officials fear the app could be used to spread propaganda or misinformation on behalf of the Chinese Communist Party.

🇨🇳 Beijing, meanwhile, criticizes the ban as an act of “bullying,” accusing the US of protectionism and attempting to undermine China’s most successful internet companies. They argue that the ban reflects America’s inability to compete with the success of Chinese digital products, labeling the scrutiny around TikTok as a “witch hunt.”

Political cartoon about the American “witchhunt” against TikTok, shared on Weibo in 2023, also published on Twitter by Lianhe Zaobao.

“This will eventually backfire on the US itself,” China’s Foreign Ministry spokesperson Wang Wenbin predicted in 2024.

Wang turned out to be quite right, in a way.

When it became clear in mid-January that the ban was likely to become a reality, American TikTok users grew increasingly frustrated and angry with their government. For many of these TikTok creators, the platform is not just a form of entertainment—it has become an essential part of their income. Some directly monetize their content through TikTok, while others use it to promote services or products, targeting audiences that other platforms like Facebook, Instagram, or X can no longer reach as effectively.

Initially, the mass migration of American users to Xiaohongshu was a symbolic protest against US policies. Users advocated for the right to choose their preferred social media, and voiced their frustration at how their favorite app had become a pawn in US-China geopolitical tensions. Rejecting the narrative that “data must be protected from the Chinese,” many pointed out that privacy concerns were equally valid for US-based platforms. As an act of playful political defiance, these users downloaded Xiaohongshu to demonstrate they didn’t fear the government’s warnings about Chinese data collection.

(If they had the option, by the way, they would have installed Douyin—the actual Chinese version of TikTok—but it is only available in Chinese app stores, whereas Xiaohongshu is accessible in international stores, so it was picked as ‘China’s version of TikTok.’)

Xiaohongshu is actually not the same as TikTok at all. Founded in 2013, Xiaohongshu (literal translation: Little Red Book) is a popular app with over 300 million users that combines lifestyle, travel, fashion, and cosmetics with e-commerce, user-generated content, and product reviews. Like TikTok, it offers personalized content recommendations and scrolling videos, but is otherwise different in types of engagement and being more text-based.

As a Chinese app primarily designed for a domestic audience, the sudden wave of foreign users caused significant disruption. Xiaohongshu must adhere to the guidelines of China’s Cyberspace Administration, which requires tight control over information flows. The unexpected influx of foreign users undoubtedly created challenges for the company, prompting a scramble to recruit English-speaking content moderators to manage the new streams of content. Foreigners addressing sensitive political issues soon found their accounts banned.

Of course, there is undeniable irony in Americans protesting government control by flocking to a Chinese app functioning within an internet system that is highly controlled by the government—a move that sparked quite some debate and criticism as well.

 
✳️ The Sino-American ‘Dear Li Hua’ Moment
 

While the initial hype around Xiaohongshu among TikTok users was political, the trend quickly shifted into a moment of cultural exchange. As American creators introduced themselves on the platform, Chinese users gave them a warm welcome, eager to practice their English and teach these foreign newcomers how to navigate the app.

Soon, discussions about language, culture, and societal differences between China and the US began to flourish. Before long, “TikTok refugees” and “Xiaohongshu natives” were collaborating on homework assignments, swapping recipes, and bonding through humor.

For instance, Chinese users jokingly asked the “TikTok refugees” to pay a “cat tax” for seeking refuge on their platform, which American users happily fulfilled by posting adorable cat photos. American users, in turn, joked about becoming best friends with their “Chinese spies,” playfully mocking their own government’s fears about Chinese data collection.

The newfound camaraderie sparked creativity, as users began generating humorous images celebrating the bond between American and Chinese netizens—like Ronald McDonald cooking with the Monkey King or the Terra Cotta Soldier embracing the Statue of Liberty. Later, some images even depicted the pair welcoming their first “baby.”

🇺🇸 At the same time, it became clear just how little Americans and Chinese truly know about each other. Many American users expressed surprise at the China they discovered through Xiaohongshu, which contrasted sharply with negative portrayals they’ve seen in the media. While some popular US narratives often paint Chinese citizens as “brainwashed” by their government, many TikTok users began to reflect on how their own perspectives had been shaped—or even “manipulated”—by their media and government.

🇨🇳 For Chinese users, the sudden interaction underscored their digital isolation. Over the past 15 years, China has developed its own tightly regulated digital ecosystem, with Western platforms like Facebook, Twitter, Instagram, and YouTube inaccessible in the mainland. While this system offers political and economic advantages, it has left many young Chinese people culturally hungry for direct interaction with foreigners—especially after years of reduced exchange caused by the pandemic, trade tensions, and bilateral estrangement. (Today, only some 1,100 American students are reportedly studying in China.)

The enthusiasm and eagerness displayed by American and Chinese Xiaohongshu users this week actually underscores the vacuum in cultural exchange between the two nations.

As a result of the Xiaohongshu migration, language-learning platform Duolingo reported a 216% rise in new US users learning Mandarin—a clear sign of growing interest in bridging the US-China divide.

Mourning the lack of intercultural communication and celebrating this unexpected moment of connection, Xiaohongshu users began jokingly asking Americans if they had ever received their “Li Hua letters.”

What started as some lighthearted remarks evolved into something much bigger as Chinese users dug up their old Gaokao exam papers and shared the letters they had written to their imaginary foreign friends years ago. These letters, often carefully stored in drawers or organizers, were posted with captions like, “Why didn’t you reply?” suggesting that Chinese students had been trying to reach out for years.

Example letters on Xiaohongshu: ‘Li Hua’ writing to foreign friends.

The story of ‘Li Hua’ and the replies he never received struck a chord with American Tiktok users. One user, Debrah.71, commented:
It was the opposite for us in the USA. When I was in grade school, we did the same thing—we had foreign pen pals. But they did respond to our letters.”

Then, something extraordinary happened: Americans started replying to Li Hua.

One user, Douglas, posted a heartfelt video of him writing a letter to Li Hua:

📝”Dear Li Hua, I’m sorry I didn’t get your letters. I understand you’ve been writing me for a long time, but now I’m here to reply. Hello, from your American friend. I hope you’re well. Life here is pretty normal—we go to work, hit the gym, eat dinner, watch TV. What about you? Please write back. I’m sorry I didn’t reply before, but I’m here now. Your friend, Douglas.”

Another user, Tess (@TessSaidThat), wrote:

📝”Dear Li Hua, I hope this letter finds you well. I’m so sorry my response is so late. My government never delivered your letters. Instead, they told me you didn’t want to be my friend. Now I know the truth, and I can’t wait to visit. Which city should I visit first? With love, Tess.”

Examples of Dear Li Hua letters.

Other replies echoed similar sentiments:

📝”Dear Li Hua, I’m sorry the world kept us apart.”

📝”Did you achieve your dreams? Are you still practicing English? We’re older now, but wherever we are, happiness is what matters most.”

These exchanges left hundreds of users—both Chinese and American, young and old, male and female—teary-eyed. In a way, it’s the emotional weight of the distance—represented by millions of unanswered letters—that resonated deeply with both “TikTok refugees” and “Xiaohongshu natives.”

Emotional responses to the Li Hua letters.

The letters seemed to symbolize the gap that has long separated Chinese and American people, and the replies highlighted the unusual circumstances that brought these two online communities together. This moment of genuine cultural exchange made many realize how anti-Chinese, anti-American sentiments have dominated narratives for years, fostering misunderstandings.

Xiaohongshu commenter.

On the Chinese side, many people expressed how emotional it was to see Li Hua’s letters finally receiving replies. Writing these letters had been a collective experience for generations of Chinese students, creating messages to imaginary foreign friends they never expected to meet.

Receiving a reply wasn’t just about connection; it was about being truly seen at a time when Chinese people often feel underrepresented or mischaracterized in global contexts. Some users even called the replies to the Li Hua letters a “historical moment.”

 
✳️ Unity in a Time of Digital Divide
 

Alongside its political and cultural dimensions, the TikTok/Xiaohongshu “honeymoon” also reveals much about China and its digital environment. The fact that TikTok, a product of a Chinese company, has had such a profound impact on the American online landscape—and that American users are now flocking to another Chinese app—showcases the strength of Chinese digital products and the growing “de-westernization” of social media.

Of course, in Chinese official media discourse, this aspect of the story has been positively highlighted. Chinese state media portrays the migration of US TikTok users to Xiaohongshu as a victory for China: not only does it emphasize China’s role as a digital superpower and supposed geopolitical “connector” amidst US-China tensions, but it also serves as a way of mocking US authorities for the “witch hunt” against TikTok, suggesting that their actions have ultimately backfired—a win-win for China.

The Chinese Communist Party’s Publicity Department even made a tongue-in-cheek remark about Xiaohongshu’s sudden popularity among foreign users. The Weibo account of the propaganda app Study Xi, Strong Country, dedicated to promote Party history and Xi Jinping’s work, playfully suggested that if Americans are using a Chinese social media app today, they might be studying Xi Jinping Thought tomorrow, writing: “We warmly invite all friends, foreign and Chinese, new and old, to download the ‘Big Red Book’ app so we can study and make progress together!”

Perhaps the most positive takeaway from the TikTok/Xiaohongshu trend—regardless of how many American users remain on the app now that the TikTok ban has been delayed—is that it demonstrates the power of digital platforms to create new, transnational communities. It’s unfortunate that censorship, a TikTok ban, and the fragmentation of global social media triggered this moment, but it has opened a rare opportunity to build bridges across countries and platforms.

The “Dear Li Hua” letters are not just personal exchanges; they are part of a larger movement where digital tools are reshaping how people form relationships and challenge preconceived notions of others outside geopolitical contexts. Most importantly, it has shown Chinese and American social media users how confined they’ve been to their own bubbles, isolated on their own islands. An AI-powered social media app in the digital era became the unexpected medium for them to share kind words, have a laugh, exchange letters, and see each other for what they truly are: just humans.

As millions of Americans flock back to TikTok today, things will not be the same as before. They now know they have a friend in China called Li Hua.

Best,
Manya
(@manyapan)

PS There is a lot more to say about this topic, and if you’d like to read more, I’d also recommend reading Wen Hao’s Newsletter: “American TikTok users and Beijing found their common villain—the United States.”

 

 

15 Years of Weibo

Especially in these tumultuous TikTok and Xiaohongshu times, I’m excited to share the first long read of What’s on Weibo Chapters with you. This month, our theme is 15 Years of Weibo and this is a relevant read to understand the dynamics of Chinese social media.

“15 Years of Weibo: The Evolution of China’s Social Media Giant,” explores how Weibo became one of the most successful social media platforms in China’s internet history. It examines its strategies, struggles, and its role in shaping the country’s digital landscape—past, present, and future.

Here are some key questions the article addresses:

➡️What was China’s social media landscape like in the pre-Weibo era?
➡️Why did Sina Weibo succeed while other platforms failed?
➡️How has Weibo shaped public opinion and discourse in China?
➡️What is Weibo’s current role in China’s social media ecosystem?
➡️What are the prospects for Weibo’s future?

If you’re curious about any of these questions, this article has you covered. From its beginnings as ‘Chinese Twitter’ to its evolution into a digital dinosaur, the story of Weibo offers a window into China’s broader social media landscape.

Read here
 

 

The latest buzz in arts, marketing & pop culture

Is Chinese game sensation ‘Black Myth Wukong’ making a jump from gaming screens to the CMG Spring Festival Gala?

The countdown to the most-watched show of the year has begun. On January 29, the Year of the Snake will be celebrated across China, and as always, the CMG Spring Festival Gala, broadcast on CCTV1, will air on the night leading up to midnight on January 28.

Rehearsals for the show began last week, sparking rumors and discussions about the must-watch performances this year. Soon, the hashtag “Black Myth: Wukong – From New Year’s Gala to Spring Festival Gala” (#黑神话悟空从跨晚到春晚#) went viral on Weibo, following rumors that the Gala will feature a performance based on the hugely popular game Black Myth: Wukong.

Three weeks ago, a 16-minute-long Black Myth: Wukong performance already was a major highlight of Bilibili’s 2024 New Year’s Gala (B站跨年晚会). The show featured stunning visuals from the game, anime-inspired elements, special effects, spectacular stage design, and live song-and-dance performances. It was such a hit that many viewers said it brought them to tears. You can watch that show on YouTube here.

While it’s unlikely that the entire 16-minute performance will be included in the Spring Festival Gala (it’s a long 4-hour show but maintains a very fast pace), it seems highly possible that a highlight segment of the performance could make its way to the show.

Recently, Black Myth: Wukong was crowned 2024’s Game of the Year at the Steam Awards. The game is nothing short of a sensation. Officially released on August 20, 2024, it topped the international gaming platform Steam’s “Most Played” list within hours of its launch. Developed by Game Science, a studio founded by former Tencent employees, Black Myth: Wukong draws inspiration from the classic Chinese novel Journey to the West. This legendary tale of heroes and demons follows the supernatural monkey Sun Wukong as he accompanies the Tang Dynasty monk Xuanzang on a pilgrimage to India to retrieve Buddhist scriptures. The game, however, focuses on Sun Wukong’s story after this iconic journey.

The success of Black Myth: Wukong cannot be overstated—I’ve also not seen a Chinese video game be this hugely popular on social media over the past decade. Beyond being a blockbuster game it is now widely regarded as an impactful Chinese pop cultural export that showcases Chinese culture, history, and traditions. Its massive success has made anything associated with it go viral—for example, a merchandise collaboration with Luckin Coffee sold out instantly.

If Black Myth: Wukong does indeed become part of the Spring Festival Gala, it will likely be one of the most talked-about and celebrated segments of the show. If it does not come on, which we would be a shame, we can still see a Black Myth performance at the pre-recorded Fujian Spring Festival Gala, which will air on January 29.

Lastly, if you’re not into video games and not that interested in watching the show, I still highly recommend that you check out the game’s music. You can find it on Spotify (link to album). It will also give you a sense of the unique beauty of Black Myth: Wukong that you might appreciate—I certainly do.

 

What’s Memorable

Best reads from the archive

Social media can bring out the worst in people, but sometimes it also brings out the best. We saw this over the past week in the special moments shared between American ‘TikTok refugees’ and Chinese Xiaohongshu users. As they exchanged jokes online, it reminded me of a short but memorable trend that erupted on Weibo during the Covid era.

After the Embassy of Iceland posted about its bustling ‘post-pandemic’ travel season—suggesting that the Covid-19 “gloom is over”—jealousy spread among Chinese netizens. Seeing images of people having picnics and celebrating life in beautiful Iceland, many on Weibo suddenly began posing as natives of Iceland, claiming to feel homesick and longing to return to their “homeland.”

Others jokingly referred to themselves as Covid “refugees,” humorously trying to gain access to Iceland. One popular comment read: “I was abducted from Iceland at the age of three and taken to Henan.”

While the Embassy’s post served as a stark reminder of the contrast between China and other countries in handling Covid, it also provided a much-needed opportunity for online banter and sarcasm—momentarily making Chinese netizens feel a little closer to Iceland.

Read here
 

This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.

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Newsletter

Weibo Watch: A New Chapter

About balloons, drone dragons, changes coming to What’s on Weibo, and much more.

Manya Koetse

Published

on

PREMIUM NEWSLETTER | ISSUE #42

This week’s newsletter:

◼︎ 1. Editor’s Note – A New Chapter
◼︎ 2. What’s New – A closer look at featured stories
◼︎ 3. What’s Trending – Hot highlights
◼︎ 4. What’s Noteworthy – A strange record
◼︎ 6. What’s Popular – Jackson Yee’s stellar performance
◼︎ 7. What’s Memorable – Looking back at the 10 most-read stories of 2024

 

Dear Reader,

 

From Hangzhou to Wuhan, the New Year in China was celebrated with the release of thousands of balloons at midnight in cities across the country. In Hangzhou alone, approximately 70,000 people attended the New Year countdown celebrations, with some bloggers estimating that street vendors sold at least 20,000 balloons in one night. In Nanchang, the capital of Jiangxi province, thousands of people also released balloons in the city center, resulting in stunning crowd videos (see here).

While a sky filled with balloons makes for some spectacular images and footage, adding to the festive sphere, there are also worries about this contemporary ‘tradition.’

The Nanchang balloon moment at midnight.

The sight of tens of thousands of people gathering in city centers, such as in Nanchang, has triggered discussions about the dangers of unexpected incidents leading to panic, potentially causing stampedes like the tragic event in Shanghai a decade ago.

Beyond crowd safety, the release of thousands of balloons introduces another serious risk. Hydrogen-filled balloons (hydrogen is often illegally used in balloons because it’s cheaper than helium) are highly flammable, and contact with high-voltage lines or open flames can lead to explosions and hazardous situations. One such incident occurred in Xinyang on New Year’s Eve, when balloons exploded at the crowded entrance of a shopping mall (video). In Hangzhou, a 22-year-man was arrested at the scene for setting off fireworks in Hangzhou during the balloon release festivities, also causing local explosions.

And then, there are concerns about the environmental impact. The balloon release festivities in Hangzhou alone resulted in an estimated six tons of garbage being left behind, making the cleanup a massive and costly undertaking. While sanitation workers are mobilized to tackle the mess, many balloons end up caught in trees, tangled in bushes, or drifting so far that they’re beyond the reach of cleanup crews. The sheer amount of plastic waste left behind has sparked online discussions, with many questioning the environmental consequences of these celebrations.

So what’s the alternative?

This year, you might have seen a viral video of an impressive drone show supposedly held on the Bund in Shanghai, featuring a dragon formed by dozens of drones dancing in the night sky, crowned by a circle of fireworks. The video went viral across Instagram, TikTok, Facebook, and X. Even Elon Musk liked the video, tweeting his “wow” comment: look how China celebrates the New Year!

The video, however, turned out to be fake. In fact, there was no show for New Year’s at the Bund at all.

The video creator combined elements from various other videos, including a drone light show featuring a majestic dragon that took place in Shenzhen on October 1st, marking the 75th anniversary of the People’s Republic of China (video).

The glowing circle in the sky was from a firework and AI show held in Liuyang, Hunan, on December 7, titled “Tears of the Gate of Heaven” (天空之门的眼泪). The falling lights symbolized tears from heaven and were designed by a local firework company boss to commemorate his late mother (video).

Upon further research, I found that the Liuyang show had inspired a series of edited videos, placing the Liuyang show highlight in different locations, with each version more spectacular than the last (see examples). As reported by Annielab, there are even online tutorials teaching netizens how to digitally insert the Liuyang ‘gate’ into different backgrounds with the Jianying (剪映, aka Capcut) editing app.

What began as an online meme (“I haven’t been to the Liuyang show, but I can bring it to my town”) eventually resulted in the viral video combining the Shenzhen and Liuyang shows against the backdrop of the Bund. For the quick scrollers, it apparently was so realistic that even Elon Musk thought it was genuine.

Stills from the fake drone dragon video.

The fake drone dragon New Year video is interesting for several reasons. It highlights how quickly fake news about China spreads across social media, with few questioning the authenticity of viral posts—even when they’re shared with millions of followers. We’ve seen this pattern before, with stories about the social credit system, a supposed Xi Jinping chatbot, and heavily edited cyberpunk-style Chongqing scenes.

These trends often repeat themselves, portraying China in extremes: either as a futuristic utopia or a dystopian threat. They go viral because they serve as clickbait, used by both hostile “anti-China” accounts and propaganda-heavy “pro-China” accounts to push their narratives—look how great China is or look how scary China is.

The dragon video, though fake, also underscores China’s role as a global tech power. Its components—real drone and AI shows in Liuyang, Shenzhen, and other cities—demonstrate just how advanced the technology has become, to the point where reality and fabrication are increasingly difficult to distinguish.

It’s just a video, but it points to something bigger: the lack of understanding about what is actually happening in China. Whether it’s about China’s digital space or society at large, most people don’t take the time—or simply don’t have the time—to look beyond the surface of fast-moving stories. This tendency risks amplifying misconceptions. Before you know it, you might retweet a fake dragon video, interpreting it as evidence of a powerful or intimidating China, without realizing it’s part of a broader grassroots trend that’s misunderstood—or missing the fact that, for now, far more balloons than drones still rise into the skies during New Year’s celebrations.

Before I wander off with the balloons, what’s the takeaway? As we step into 2025, with AI playing an ever-growing role on social media and global influencers shaping the news we consume—often with their own agendas—it’s more important than ever to examine the stories we amplify critically. Only by paying attention to the details can we truly understand the bigger picture.

Announcing some changes to What’s on Weibo

This brings me to an exciting new chapter for What’s on Weibo and how I see the future of the site. The China-focused global news environment has evolved significantly since I first started this platform. There’s now an increased focus in mainstream media on China’s social media trends, and niche China-related news has become accessible to many thanks to innovative tools at our fingertips. While there’s more information than ever, it’s also becoming increasingly chaotic and fleeting.

As a smaller, independent voice in this fast-paced and crowded media arena, I’m committed to offering you unique and meaningful insights into Chinese society and digital culture that you won’t find anywhere else. In this video, I’ll explain the changes coming to the site, introducing What’s on Weibo Chapters. In these turbulent, dragon-drone times, I hope you’ll appreciate this new chapter for What’s on Weibo.

Our first Chapter, of course, is “15 Years of Weibo,” reflecting on the platform’s evolution since its launch in 2009 and its role in China’s competitive social media ecosystem today. We’ll explore the most popular influencers on Weibo, go deeper into Weibo diplomacy aka ‘Weiplomacy’, and will feature a special contribution by an expert guest writer. More on that coming soon!

A shout-out to Miranda Barnes and Ruixin Zhang for helping select some of the topics for this newsletter, and a very special thanks to Wytse Koetse for filming and editing the What’s on Weibo Chapters video.

Stay tuned!

Warm greetings,
Manya Koetse
(@manyapan)

 

 

A closer look at featured stories

Our picks | From ‘Chillax’ to ‘Digital Ibuprofen,’ this compilation of ten Chinese buzzwords and catchphrases by What’s on Weibo reflects social trends and the changing times in China in 2024.

Read here
 

 

What’s Trending

A recap of hot highlights and online discussions

 
🏚️ Earthquake in Tibet

The devastating 7.1 magnitude earthquake that struck Shigatse’s Tingri County high on the Tibetan plateau on the morning of January 7th has already claimed the lives of at least 95 people and left over 130 injured. Approximately 6,900 people reside in the villages surrounding the earthquake’s epicenter. On Weibo, videos reveal the catastrophic impact of the earthquake, with entire neighborhoods reduced to rubble.

Shigatse City’s Deputy Mayor Liu Huazhong (刘华忠) appeared visibly emotional as he announced the latest death toll and shared that 14 townships have been severely affected by the disaster. At the time of writing, the government has activated the highest-level emergency response for disaster relief, with hundreds of rescue workers deployed to the affected areas to provide medical assistance, conduct search and rescue operations, and distribute emergency supplies.

 
🤒 Peak Flu Season

It’s peak flu season, and it’s evident in the various trending topics circulating on Chinese social media. As discussions grow about crowded hospitals, face masks, and flu medication, concerns about the rapidly rising rates of influenza viruses have also emerged. Currently, according to monitoring data from the Chinese Center for Disease Control and Prevention, over 99% of flu cases in China are identified as the Influenza A virus subtype H1N1 (“甲流”).

There have also been reports of an increase in flu-like human metapneumovirus (HMPV, 人偏肺病毒) infections in northern China, particularly among children under the age of 14. On social media, Chinese experts are largely addressing these concerns by emphasizing that HMPV is not the same as Covid-19, is less common compared to influenza and mycoplasma infections, and that the recent rise in HMPV cases is not unusual but rather reflects the typical higher prevalence of respiratory viruses during winter.

 
🏓 Chinese Table Tennis Superstars Withdraw from World Rankings

There has been a lot of buzz about the world of table tennis recently. After a tumultuous 2024 in which Chinese table tennis players shone at the Paris Olympics, super popular table tennis stars Fan Zhendong (樊振东) and Chen Meng (陈梦) announced on Weibo (post 1, post 2) their withdrawal from the World Rankings (WR) due to new fines imposed by the International Table Tennis Federation (ITTF) for players not participating in tournaments.

Fan wrote that the Paris Olympics had left him “mentally exhausted” and that the new rules imposing fines for not participating in tournaments left him no other choice but to withdraw entirely. He also said he would not retire yet and quoted the Wicked line, “It’s time to try defying gravity 💚.” That post received more than 2.8 million (!) likes. Likewise, Chen also wrote about the impact of Olympic stress and that she still needs time to recover.

The withdrawal of these major table tennis icons—veteran athlete Ma Long (马龙) later also announced his withdrawal—has ignited discussions and criticism over WTT’s mandatory participation rule and whether it merely serves commercial interests instead of protecting athletes. Liu Guoliang (刘国梁), president of the Chinese Table Tennis Association (CTTA), said he would press World Table Tennis to revise its rules.

 
🏛️ Verdict in Handan Schoolboy Murder Case

A case in which a young boy from Feixiang County in Handan, Hebei, was murdered by three classmates shocked the nation in March 2024. The young boy, Wang Ziyao (王子耀), had suffered years of bullying before his three classmates, all 13 years old, killed and buried him. Wang had been missing for one day before his body was discovered buried in a greenhouse in a field near the home of one of the suspects. The case attracted major attention at the time, not just because of the cruel crime, but also due to its legal implications. Since an amendment to China’s Criminal Law in 2021, children between the ages of 12 and 14 can be held criminally responsible for extreme and cruel cases resulting in death or severe disability, if approved for prosecution by the Supreme People’s Procuratorate (SPP).

Now, the court verdict has been reported by Chinese media. Two of the male defendants were sentenced to life imprisonment, while the third defendant was not legally punished due to his minor role in the crime but was still placed under “special correctional education.” The verdict has triggered discussions on its implications and how it should now be clear to minors aged 12 and above, and their parents, that they cannot escape severe punishment for extreme crimes.

 
🎬 Li Mingde’s Livestream Permanently Banned

The young Chinese actor Li Mingde (李明德), also known as Marcus Li, has been the center of attention on Chinese social media recently due to the drama surrounding the production of the Chinese TV series The Triple Echo of Time (三人行). In a Weibo post published on the night of January 4, Li, a supporting actor in the series, accused co-star Ma Tianyu (马天宇), the male lead, of displaying diva behavior on set. He also complained about the harsh filming conditions, alleging that he was made to wait in freezing temperatures wearing nothing but a t-shirt.

The production team has since issued a statement denying Li’s claims and turned the tables, accusing Li of being unreasonable, negative, and frequently late or leaving early during filming. They also confirmed that they had officially terminated their collaboration with him.

Adding to the controversy, Li Mingde’s livestream channel was suddenly shut down on January 7, with Douyin permanently banning his account. The platform cited “deliberately stirring controversy to attract attention” as the reason for the ban, sparking widespread discussion online. Li, who has over 7.6 million followers on Weibo, continues to post updates at the time of writing. After Ma Tianyu suggested in a now-deleted post that Li might be suffering from a mental illness, Li refuted the claim and stated he plans to take legal action. It seems this drama is far from over.

 

What’s Noteworthy

Small news with big impact

Did you know that the final Guinness World Record of 2024 was set by Chinese e-commerce giant JD.com? Honestly, the record is so unusual that I initially struggled to understand what the achievement was: JD.com now holds the Guinness World Record for the world’s “largest object unveiled” in Liangshan Yi Autonomous Prefecture, Sichuan, on December 29, 2024—a staggering 400.66 meters long.

Is it a rocket? A train? A cruise ship?

No, it’s actually a list of 173,583 authentic user comments—a 400-meter-long comment section reviewing the platform’s major home appliance products. JD.com, one of the leading players in China’s home goods and household appliances market, seems to have orchestrated this extravagant marketing stunt to emphasize its position as a trustworthy market leader with an alleged 98% satisfaction rate.

The 400+ meter list, via Digitaling.

As an online retailer, printing reviews and displaying them in an offline setting where virtually no one but Guinness World Records takes notice does seem wasteful. But here we are, talking about it—along with a trending hashtag (#24年最后一个吉尼斯纪录是京东的#), so I suppose the PR effort paid off.

 

The latest buzz in arts, marketing & pop culture

After the 2024 success of Her Story(好东西) directed by Shao Yihui (邵艺辉) YOLO (麻辣滚烫) by Jia Ling (贾玲), Like A Rolling Stone (出走的决心) by Yin Lichuan (尹丽川), we are now seeing another hit film by a female director, highlighting the growing prominence of female directors in Chinese cinema.

The hashtag for the new movie Little Me (小小的我) has received over a billion views on Weibo this week (#电影小小的我#), noting its popularity. The movie was directed by Yang Lina (杨荔钠), the female director also known for her film Song of Spring (妈妈), which tells the moving story of an 85-year-old mother caring for her 65-year-old daughter with Alzheimer’s disease.

Little Me again touches on profound themes as it tells the story of a young man suffering from cerebral palsy who nevertheless tries to find his own direction in life. The role is played by Jackson Yee (易烊千玺), the superstar with an enormous fanbase on social media. Although he is still known as the youngest member of the boyband TFboys, Yee has gone far beyond that and shows his talent and dedication as an actor in this film with a credible performance.

Although Jackson Yee’s standout performance in Little Me is praised across social media, some have also commented that the actor might be too good for the film. Qilu Evening News published a sharp movie review, noting that Yee’s performance creates a stark divide between his brilliance and the film’s otherwise mediocre quality. This disparity has led some viewers to comment that Little Me is “a dumpling made just for the vinegar” (“为了一碟醋包了一顿饺子”). Despite this criticism, the film is still scoring a 7.2 on the Douban platform, where it has been rated by over 164,000 people.

 

What’s Memorable

Best reads from the archive

As we’re entering the second week of 2025, I’d still like to take this time to look back look back at 10 of the most popular stories on
What’s On Weibo of 2024 for this week’s archive lookback. From viral trends to shocking incidents, it was a tumultuous year with some moments that’ll be ingrained in China’s collective digital memory.
🧵👇

1️⃣🐱 When ‘Fat Cat’ Jumped into the Yangtze River | He invested all he had for a girl he’d met online. Then she broke up with him. The tragic story behind the suicide of a 21-year-old Chinese gamer nicknamed ‘Fat Cat’ (胖猫) became a major topic of discussion on Chinese social media in May of 2024, touching upon broader societal issues from unfair gender dynamics to businesses taking advantage of grieving internet users.
🔗
https://www.whatsonweibo.com/the-tragic-story-of-fat-cat-how-a-chinese-gamers-suicide-went-viral/

2️⃣✨ Chengdu Disney | How did a common park in Chengdu turn into a hotspot that got everyone talking? By mixing online trends with real-life fun, blending foreign styles with local charm, and adding humor and absurdity, Chengdu had the recipe for its very own ‘Chengdu Disney’ in 2024. Undeniably, the quirkiest trend of the year.
🔗
https://www.whatsonweibo.com/chengdu-disney-the-quirkiest-hotspot-in-china/

3️⃣💧 Nongfu and Nationalists | One of the most noteworthy online phenomena in China during 2024 was the big battle over bottled water after the death of Zong Qinghou (宗庆后), the founder and chairman of Wahaha Group (娃哈哈集团), the country’s largest beverage produce. What started as a support campaign for Wahaha morphed into a crusade against another major water brand, Nongfu Spring, led by online nationalists.
🔗
https://www.whatsonweibo.com/in-hot-water-the-nongfu-spring-controversy-explained/

4️⃣🔪 Beishan Park Stabbings | 2024 was, unfortunately, a year of many deadly mass attacks by individuals ‘taking revenge on society,’ from Zhuhai to Changde. One such incident that made headlines around the world was the June 10 stabbing at Beishan Park in Jilin, which left four American teachers injured, among others. While the story spread widely on X, it was initially kept under wraps on the Chinese internet. This article analyzes how the incident was reported, censored, and discussed on Weibo.
🔗
https://www.whatsonweibo.com/the-beishan-park-stabbings-how-the-story-unfolded-and-was-censored-on-weibo/

5️⃣🥇 Golden Olympics | The 2024 Paris Olympics were the talk of Chinese social media. Beyond the gold medal moments, there were plenty of happenings on the sidelines, at the venues, and on the award stage that went viral, sparking countless memes. From China’s cutest weightlifter to viral sensation Quan Hongchan, this top 10 list of meme-worthy moments was a favorite among readers.
🔗

Team China’s 10 Most Meme-Worthy Moments at the 2024 Paris Olympics

6️⃣🚗 Land Rover Woman | In 2024, ‘Land Rover Woman’ (路虎女) became the latest addition to the Chinese Lexicon of Viral Incidents. A female Land Rover driver sparked outrage among Chinese netizens with her entitled behavior, driving against traffic and reacting aggressively when confronted—even striking a Chinese veteran in the face. The incident highlighted widespread frustration with social class injustice, as many viewed it as reflecting existing power imbalances between the wealthy and the working-class.
🔗
https://www.whatsonweibo.com/weibo-watch-the-land-rover-woman-controversy-explained/

7️⃣🧮 Controversial Math Genius Jiang Ping | It’s rare for a math competition to become the focus of nationwide attention in China. But when 17-year-old vocational school student Jiang Ping made it to the top 12 of Alibaba’s Global Math Competition, competing against contestants from prestigious universities worldwide, her humble background and outstanding achievement sparked debates and triggered rumors. She was called China’s version of Good Will Hunting, but her math story had a disappointing ending.
🔗
https://www.whatsonweibo.com/chinas-controversial-math-genius-jiang-ping/

8️⃣🇺🇸 Trump’s Triumph |The assassination attempt on former US President (now President-elect) Trump at a Pennsylvania campaign event in July 2024 became a major topic on Chinese social media. Trump’s swift reaction and defiant gesture after the shooting not only sparked widespread discussions but also fueled the “Comrade Trump” meme machine.
🔗
https://www.whatsonweibo.com/a-triumph-for-comrade-trump-chinese-social-media-reactions-to-trump-rally-shooting/
9️⃣📚 Crusade against Smut | A recent crackdown on Chinese authors writing erotic web novels sparked increased online discussions about the Haitang Literature ‘Flower Market’ subculture, the challenges faced by prominent online smut writers, and the evolving regulations surrounding digital erotica in China. But how serious is the “crime” of writing explicit fiction in China today? Ruixin Zhang explored this topic in an insightful and widely-read article, with a sad update.
🔗
https://www.whatsonweibo.com/the-price-of-writing-smut-inside-chinas-crackdown-on-erotic-fiction/

🔟🚴‍♂️ Cycling to Kaifeng | The term ‘yè qí‘ (夜骑), meaning “night ride,” suddenly became a buzzword on Chinese social media in late fall of 2024, as large groups of students from various schools and universities in Zhengzhou started cycling en masse to the neighboring city of Kaifeng on shared bicycles in the middle of the night. From city marketing to the spirit of China’s new generation, there are many themes behind their nightly cycling caravan, explained in this article, which also became one of the best-read pieces on What’s on Weibo this year:
🔗
https://www.whatsonweibo.com/the-cycling-to-kaifeng-trend-how-it-started-how-its-going/

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