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Twists and Turns in the Tragic Story of the Xuzhou Chained Mother

There are still many questions about the Xuzhou woman, but what is clear is that she now has come to represent many women like her.

Manya Koetse

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PREMIUM CONTENT ARTICLE

It’s been three weeks and there were four official statements, but the story of the Xuzhou mother-of-eight is still seeing new developments, and it is sparking even more anger on Chinese social media.

While the Beijing Olympics are still in full swing, many on Chinese social media are focused on developments taking place some 430 miles south of the capital. Three weeks after the story of a mother of eight children being chained up in a hut next to the family home first sent shockwaves across Chinese social media, the Xuzhou chained mother is still one of the biggest topics discussed on Weibo.

The ball started rolling in late January of this year when a video of the woman, filmed by a local TikTok user, went viral online and triggered massive outrage with thousands of people demanding answers about the woman’s circumstances. The woman, who seemed confused, was kept in a dirty shed without a door in the freezing cold – she did not even wear a coat. Videos showed how her husband Dong Zhimin (董志民) and their eight children were playing and talking in the family home right next to the hut. These videos were all filmed in the village of Huankou.

What’s on Weibo first reported this trending topic on January 29, and after BBC also reported the story on January 31st, the Xuzhou mother also started making international headlines. Meanwhile, on Chinese social media, updates to new developments in the story continued to go viral.

Local authorities in Xuzhou, the largest city of northern Jiangsu, and the Feng county-level division, where the village of Huankou is located, started looking into the case after the video went trending. The first statement by Feng County was issued on January 28 and it said that the woman, named Yang (杨), married her husband Dong Zhimin in 1998 and that there was no indication that she was a victim of human trafficking, which was a concern raised by so many netizens.

The woman was dealing with mental problems and would display sudden violent outbursts, beating children and older people. The family allegedly thought it was best to separate her from the family home during these episodes, letting her stay chained up in a small hut next to the house.

The first statement raised more questions than it answered. Many people on Weibo were angry and drew comparisons to the 2007 movie Blind Mountain (盲山). That movie, directed by Li Yang (李杨), tells the story of a woman named Bai who is kidnapped and sold to a villager in the mountains, leaving Bai completely trapped.

Scene from Blind Mountain.

Netizens started to do their own research and suggested that ‘Yang’ could actually be Li Ying (李莹), a woman who went missing in Sichuan’s Nanchong 26 years ago. Online, many people called for DNA research to see if Yang was indeed related to Li Ying’s family.

The mother of eight in Xuzhou compared to the missing woman Li Ying.

While netizens were speculating about the case, it became clear that the husband Dong Zhimin was giving more interviews about his eight children (seven sons, one daughter), spoke of how his sons would become providers for the family in the future, and even promoted local companies. This only led to more speculation and online anger, and Weibo shut down some of the hashtags dedicated to this topic.

 

More Statements

 

On January 30, Feng County local officials responded to the controversy in a second statement, in which the Xuzhou mother was identified as Yang *Xia (杨某侠) who allegedly once was “a beggar on the streets” in the summer of 1998 when she was taken in by Dong family and ended up marrying their 30-something son Dong Zhimin.

Local officials did not properly check and verify Yang’s identity information when registering the marriage certificate and the local family planning department also made errors in implementing birth control measures and following up with the family.

Yang did have mental problems before, but her condition allegedly worsened in June of 2021 when she displayed more aggressive behavior and was tied up in the shed. The statement said that Yang had been diagnosed with schizophrenia and was receiving treatment.

On February 7th, Xuzhou authorities released a third statement with an update of their investigation, which had brought them to the village of Yagu (亚谷村) in Yunnan – a place that was mentioned on Yang’s marriage certificate.

With the help of local authorities, villagers, and household registers, they were able to determine Yang’s identity and stated that she was actually Xiao Huamei (小花梅) who was born and raised in Yagu, Fugong county. In 1994, she married and moved to the city of Baoshan, but she divorced and returned to her village two years later.

Her parents, now deceased, ordered a female fellow villager who had married someone from Jiangsu to take Xiao with her to receive treatment and look for a suitable partner for marriage. Although the woman took Xiao with her on a train from Yunnan’s Kunming city to Jiangsu’s Donghai, Xiao allegedly went missing shortly after arrival. The woman, named Sang (桑), never reported Xiao Huamei missing to the police and she also did not notify Xiao’s family.

The Xuzhou authorities further write that DNA research has confirmed that all of the eight children are the parents’ biological children.

A fourth statement was issued on February 10th through the Xuzhou official Weibo channel (@徐州发布). According to that statement, Yang’s DNA had been compared to that of the family of Xiao Huamei and it was determined that Yang and Xiao Huamei were definitely the same person.

The statement further said that three persons were held criminally responsible for illegal detainment and human trafficking in the case of Xiao Huamei: Sang, her husband, and Dong Zhimin, the father of the eight children.

Meanwhile, Chinese news outlet The Paper reported that the family of Li Ying, the missing woman who resembled Yang so much, received official confirmation that there was no DNA match between Li Ying and Yang.

 

Weibo Detectives and Journalists

 

Following the last statement, online anger did not subside. Was Yang’s husband only accused of ‘illegal detention’? What about rape and abuse?

By now, there are multiple stories going around the Chinese internet of other women living in Xuzhou who might have also been a victim of human trafficking. What about them? What are their names? Who cares about them? Who is still out there looking for them?

Another issue raised by Weibo users was that of the age of Xiao Huamei, which was never mentioned in the official statement. Was Xiao Huamei underage when she was trafficked? How old is the Xuzhou mother of eight?

Determined to find out the truth, some investigative journalists and concerned netizens decided to do their own research.

Two Weibo users (using the accounts @小梦姐姐小拳拳, @乌衣古城, and @我能抱起120斤) drove to Feng County, Xuzhou, with the goal of verifying the information disclosed by the local government and pressuring them to arrest husband Dong for his crime. The women, who had been sharing all details of their trip on Weibo, were planning on visiting Yang and talking to other people in the area.

After they arrived in Feng County, the local police allegedly removed the slogans they had written on their own car, calling for Dong’s arrest. They were denied entrance at the facility where Yang supposedly is treated and someone tried to take their phone. When the two women went to the police station to report the attempted phone robbery, the police detained them for “picking quarrels and provoking trouble” (“寻衅滋事罪”). A supertopic on Weibo dedicated to helping the two women was taken offline.

One other important person dedicated to this case is the Chinese investigative journalist Deng Fei (邓飞), who has over five million followers on his Weibo account. On February 13, Deng said that according to Yang’s verified ID card, which he obtained via online channels, her date of birth is June 6, 1969. This means Yang’s age would be 52.

The photo on Yang’s ID card, which says she was born in 1969.

Deng and others questioned Yang’s age, especially considering their youngest baby just turned two. Would a woman in her mid and late 40s, living in such harsh conditions, still be able to have multiple babies? Why was her hair not greying at all? Were authorities lying about her age?

Deng Fei later obtained and published a photo of the marriage certificate of ‘Yang Qingxiang’ and ‘Dong Zhimin,’ which shows their marriage was registered in August of 1998 and was approved by the Huankou township. Here, Yang’s date of birth is also said to be June of 1969. However, what struck Deng and many others is that the photo on the marriage certificate seems to be a different woman from Yang.


The well-known screenwriter and author Li Yaling (@李亚玲) also researched the Xuzhou case, and she claimed that according to her sources, Xiao Huamei was born in 1977 and was initially sold to another man by Sang for 6000 yuan ($950) before she ended up marrying Dong. Li also claims that the vlogger who filmed the first viral video put the chains around the woman’s neck himself. The chains were already there, and were in fact used to sometimes tie up the mother, but they were allegedly only put on her to help get more attention for the woman and her impoverished family.

The account of the vlogger who originally posted the viral video has since been deleted.

After three weeks of developments and four statements later, there are still so many questions, and there are still many doubts about whether or not Xiao Huamei from Yagu village is really Yang from Huankou village, and who the woman in the photo is.

Another issue raised is that the oldest son of the family, Dong *gang (董某港) was born in March of 1997, but according to one of the earlier statements issued in this case, Dong Zhimin’s father took in Yang in the summer of 1998 and their marriage certificate was issued in August of that year. So whose child is the oldest kid?

Many people think that perhaps Xiao Huamei – who was trafficked in 1996 – was actually once married to Dong and is the mother of the oldest child, but that the chained mother in Xuzhou is another woman. Since Xiao Huamei was married before in 1994, the ex-husband could surely confirm if Yang in Xuzhou is indeed the woman he was once married to, but so far his identity has not been disclosed.

 

The Women in the Dark Rooms

 

While details surrounding the case of the ‘chained Xuzhou mother of eight’ are still being discussed a lot, it has become clear that by now, Yang has come to represent many more women like her.

Since early February, more stories have surfaced of other women like Yang, often suffering from a mental or physical handicap. One of these stories involved a disabled woman also from Xuzhou, Feng County – a video that showed her lying on the floor also went viral on social media including a second video showing the woman living in terrible conditions, although there has not been a follow-up on her specific situation.

In light of the recent developments, media insider Zhang Xiaolei (@媒体人张晓磊) posted a segment of a TV documentary from ten years ago on Weibo titled “The Woman Leaving the Dark Room” (走出黑屋的女人), in which a naked and confused middle-aged woman was kept locked in a hut in a village in Shandong province, just a one-hour drive from Huankou village. Zhang wrote that the reporter, with the help of local authorities, was able to rescue the woman and eventually succeeded in locating her family.

Still from the decade-old documentary (走出黑屋的女人) about a woman kept in a small house, just 40 kilometers away from where the Xuzhou mother of eight lived.

Zhang’s post was taken offline, as were other initiatives to raise more awareness. On Valentine’s Day, a group of people from Yueyang, Hunan, spoke up for the Xuzhou mother and posted a group photo in which they carried banners and hashtagged the post “stand up for human rights.” That post was also soon deleted, along with a letter signed by 10 graduates of Peking University to call for an investigation of local officials involved in the case, changes to the law, and more details on the Xuzhou woman’s identity.

Despite censorship, netizens keep posting about the case and putting pressure on authorities to do more research and take more action. How could Yang have been so neglected? Why didn’t authorities do more to prevent such a tragedy from happening?

Their calls do seem to have some impact, as the higher authorities of Jiangsu provincial government have reportedly now also decided to set up an investigation team to conduct an investigation into the Xuzhou case.

Meanwhile, there are many artists who are using their artwork, from sculptures to graphic design, to express their feelings about the case and condemn how local authorities have dealt with this case.

They also pay their respects to the chained-up woman in the video. Regardless of who she is, and how she got there, there is one thing everyone agrees on; her story is a tragic one, and no matter who gets punished for what happened to her, there are no winners here.

 

By Manya Koetse

With contributions by Miranda Barnes.

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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3 Comments

3 Comments

  1. reader

    February 18, 2022 at 9:59 pm

    Menanwhile -> meanwhile

    Great, enlightening yet concise write-up

    thank you
    goed gedaan

    • Admin

      February 20, 2022 at 6:36 pm

      Thanks so much for noticing, adjusted!

  2. Sam

    February 19, 2022 at 6:46 pm

    No one believes this still happen in a 21st century in China, and I am extremely outrageous after reading this story, and can not find word for this kind of cruelty, immoral and illegal behavior in rural area. Everyone need to keep following this for answers and steps to complete saving of thousands of similar women in China. The gender imbalance due to the one cold policy has resulted in this kind of human trafficking of women in China’s rural areas.

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China Digital

“Dear Li Hua”: The TikTok/Xiaohongshu Honeymoon Explained

As American ‘TikTok Refugees’ flock to China’s Xiaohongshu (Rednote), their encounter with ‘Li Hua’ strikes a chord in divided times.

Manya Koetse

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FROM THE WEIBO WATCH PREMIUM NEWSLETTER

China’s Xiaohongshu (Rednote) has seen an unprecedented influx of foreign “TikTok refugees” over the past week, giving rise to endless jokes. But behind this unexpected online migration lie some deeper themes—geopolitical tensions, a desire for cultural exchange, and the unexpected role of the fictional character Li Hua in bridging the divide.

Imagine you are Li Hua (李华), a Chinese senior high school student. You have a foreign friend, far away, in America. His name is John, and he has asked you for some insight into Chinese Spring Festival, for an upcoming essay has to write for the school newspaper. You need to write a reply to John, in which you explain more about the history of China’s New Year festival and the traditions surrounding its celebrations.

This is the kind of writing assignment many Chinese students have once encountered during their English writing exams in school during the Gaokao (高考), China’s National College Entrance Exams. The figure of ‘Li Hua’ has popped up on and off during these exams since at least 1995, when Li invited foreign friend ‘Peter’ to a picnic at Renmin Park.

Over the years, Li Hua has become somewhat of a cultural icon. A few months ago, Shangguan News (上观新闻) humorously speculated about his age, estimating that, since one exam mentioned his birth year as 1977, he should now be 47 years old—still a high school student, still helping foreign friends, and still introducing them to life in China.

Li Hua: the connector, the helper, the icon.

This week, however, Li Hua unexpectedly became a trending topic on social media—in a week that was already full of surprises.

With a TikTok ban looming in the US (delayed after briefly taking effect on Sunday), millions of American TikTok users began migrating to other platforms this month. The most notable one was the Chinese social media app Xiaohongshu (now also known as Rednote), which saw a massive influx of so-called “TikTok refugees” (Tiktok难民). The surge propelled Xiaohongshu to the #1 spot in app stores across the US and beyond.

This influx of some three million foreigners marked an unprecedented moment for a domestic Chinese app, and Xiaohongshu’s sudden international popularity has brought both challenges and beautiful moments. Beyond the geopolitical tension between the US and China, Chinese and American internet users spontaneously found common ground, creating unique connections and finding new friends.

While the TikTok/Xiaohongshu “honeymoon” may seem like just a humorous trend, it also reflects deeper, more complex themes.

 
✳️ National Security Threat or Anti-Chinese Witchhunt?
 

At its core, the “TikTok refugee” trend has sprung from geopolitical tensions, rivalry, and mutual distrust between the US and China.

TikTok is a wildly popular AI-powered short video app by Chinese company ByteDance, which also runs Douyin, the Chinese counterpart of the international TikTok app. TikTok has over 170 million users in the US alone.

A potential TikTok ban was first proposed in 2020, amid escalating US-China tensions. President Trump initiated the move, citing security and data concerns. In 2024, the debate resurfaced in global headlines when President Biden signed the “Protecting Americans from Foreign Adversary Controlled Applications Act,” giving ByteDance nine months to divest TikTok or face a US ban.

TikTok, however, has continuously insisted it is apolitical, does not accept political promotion, and has no political agenda. Its Singaporean CEO Shou Zi Chew maintains that ByteDance is a private business and “not an agent of China or any other country.”

🇺🇸 From Washington’s perspective, TikTok is viewed as a national and personal security threat. Officials fear the app could be used to spread propaganda or misinformation on behalf of the Chinese Communist Party.

🇨🇳 Beijing, meanwhile, criticizes the ban as an act of “bullying,” accusing the US of protectionism and attempting to undermine China’s most successful internet companies. They argue that the ban reflects America’s inability to compete with the success of Chinese digital products, labeling the scrutiny around TikTok as a “witch hunt.”

Political cartoon about the American “witchhunt” against TikTok, shared on Weibo in 2023, also published on Twitter by Lianhe Zaobao.

“This will eventually backfire on the US itself,” China’s Foreign Ministry spokesperson Wang Wenbin predicted in 2024.

Wang turned out to be quite right, in a way.

When it became clear in mid-January that the ban was likely to become a reality, American TikTok users grew increasingly frustrated and angry with their government. For many of these TikTok creators, the platform is not just a form of entertainment—it has become an essential part of their income. Some directly monetize their content through TikTok, while others use it to promote services or products, targeting audiences that other platforms like Facebook, Instagram, or X can no longer reach as effectively.

Initially, the mass migration of American users to Xiaohongshu was a symbolic protest against US policies. Users advocated for the right to choose their preferred social media, and voiced their frustration at how their favorite app had become a pawn in US-China geopolitical tensions. Rejecting the narrative that “data must be protected from the Chinese,” many pointed out that privacy concerns were equally valid for US-based platforms. As an act of playful political defiance, these users downloaded Xiaohongshu to demonstrate they didn’t fear the government’s warnings about Chinese data collection.

(If they had the option, by the way, they would have installed Douyin—the actual Chinese version of TikTok—but it is only available in Chinese app stores, whereas Xiaohongshu is accessible in international stores, so it was picked as ‘China’s version of TikTok.’)

Xiaohongshu is actually not the same as TikTok at all. Founded in 2013, Xiaohongshu (literal translation: Little Red Book) is a popular app with over 300 million users that combines lifestyle, travel, fashion, and cosmetics with e-commerce, user-generated content, and product reviews. Like TikTok, it offers personalized content recommendations and scrolling videos, but is otherwise different in types of engagement and being more text-based.

As a Chinese app primarily designed for a domestic audience, the sudden wave of foreign users caused significant disruption. Xiaohongshu must adhere to the guidelines of China’s Cyberspace Administration, which requires tight control over information flows. The unexpected influx of foreign users undoubtedly created challenges for the company, not only prompting them to implement translation tools but also recruiting English-speaking content moderators to manage the new streams of content. Foreigners addressing sensitive political issues soon found their accounts banned.

Of course, there is undeniable irony in Americans protesting government control by flocking to a Chinese app functioning within an internet system that is highly controlled by the government—a move that sparked quite some debate and criticism as well.

 
✳️ The Sino-American ‘Dear Li Hua’ Moment
 

While the initial hype around Xiaohongshu among TikTok users was political, the trend quickly shifted into a moment of cultural exchange. As American creators introduced themselves on the platform, Chinese users gave them a warm welcome, eager to practice their English and teach these foreign newcomers how to navigate the app.

Soon, discussions about language, culture, and societal differences between China and the US began to flourish. Before long, “TikTok refugees” and “Xiaohongshu natives” were collaborating on homework assignments, swapping recipes, and bonding through humor.

For instance, Chinese users jokingly asked the “TikTok refugees” to pay a “cat tax” for seeking refuge on their platform, which American users happily fulfilled by posting adorable cat photos. American users, in turn, joked about becoming best friends with their “Chinese spies,” playfully mocking their own government’s fears about Chinese data collection.

The newfound camaraderie sparked creativity, as users began generating humorous images celebrating the bond between American and Chinese netizens—like Ronald McDonald cooking with the Monkey King or the Terra Cotta Soldier embracing the Statue of Liberty. Later, some images even depicted the pair welcoming their first “baby.”

🇺🇸 At the same time, it became clear just how little Americans and Chinese truly know about each other. Many American users expressed surprise at the China they discovered through Xiaohongshu, which contrasted sharply with negative portrayals they’ve seen in the media. While some popular US narratives often paint Chinese citizens as “brainwashed” by their government, many TikTok users began to reflect on how their own perspectives had been shaped—or even “manipulated”—by their media and government.

🇨🇳 For Chinese users, the sudden interaction underscored their digital isolation. Over the past 15 years, China has developed its own tightly regulated digital ecosystem, with Western platforms like Facebook, Twitter, Instagram, and YouTube inaccessible in the mainland. While this system offers political and economic advantages, it has left many young Chinese people culturally hungry for direct interaction with foreigners—especially after years of reduced exchange caused by the pandemic, trade tensions, and bilateral estrangement. (Today, only some 1,100 American students are reportedly studying in China.)

The enthusiasm and eagerness displayed by American and Chinese Xiaohongshu users this week actually underscores the vacuum in cultural exchange between the two nations.

As a result of the Xiaohongshu migration, language-learning platform Duolingo reported a 216% rise in new US users learning Mandarin—a clear sign of growing interest in bridging the US-China divide.

Mourning the lack of intercultural communication and celebrating this unexpected moment of connection, Xiaohongshu users began jokingly asking Americans if they had ever received their “Li Hua letters.”

What started as some lighthearted remarks evolved into something much bigger as Chinese users dug up their old Gaokao exam papers and shared the letters they had written to their imaginary foreign friends years ago. These letters, often carefully stored in drawers or organizers, were posted with captions like, “Why didn’t you reply?” suggesting that Chinese students had been trying to reach out for years.

Example letters on Xiaohongshu: ‘Li Hua’ writing to foreign friends.

The story of ‘Li Hua’ and the replies he never received struck a chord with American Tiktok users. One user, Debrah.71, commented:
It was the opposite for us in the USA. When I was in grade school, we did the same thing—we had foreign pen pals. But they did respond to our letters.”

Then, something extraordinary happened: Americans started replying to Li Hua.

One user, Douglas (@neonhotel), posted a heartfelt video of him writing a letter to Li Hua:

📝”Dear Li Hua, I’m sorry I didn’t get your letters. I understand you’ve been writing me for a long time, but now I’m here to reply. Hello, from your American friend. I hope you’re well. Life here is pretty normal—we go to work, hit the gym, eat dinner, watch TV. What about you? Please write back. I’m sorry I didn’t reply before, but I’m here now. Your friend, Douglas.”

Another user, Tess (@TessSaidThat), wrote:

📝”Dear Li Hua, I hope this letter finds you well. I’m so sorry my response is so late. My government never delivered your letters. Instead, they told me you didn’t want to be my friend. Now I know the truth, and I can’t wait to visit. Which city should I visit first? With love, Tess.”

Examples of Dear Li Hua letters.

Other replies echoed similar sentiments:

📝”Dear Li Hua, I’m sorry the world kept us apart.”

📝”I know we don’t speak the same language, but I understand you clearly. Your warmth and genuine kindness transcend every barrier.”

📝”Did you achieve your dreams? Are you still practicing English? We’re older now, but wherever we are, happiness is what matters most.”

These exchanges left hundreds of users—both Chinese and American, young and old, male and female—teary-eyed. In a way, it’s the emotional weight of the distance—represented by millions of unanswered letters—that resonated deeply with both “TikTok refugees” and “Xiaohongshu natives.”

Emotional responses to the Li Hua letters.

The letters seemed to symbolize the gap that has long separated Chinese and American people, and the replies highlighted the unusual circumstances that brought these two online communities together. This moment of genuine cultural exchange made many realize how anti-Chinese, anti-American sentiments have dominated narratives for years, fostering misunderstandings.

Xiaohongshu commenter.

On the Chinese side, many people expressed how emotional it was to see Li Hua’s letters finally receiving replies. Writing these letters had been a collective experience for generations of Chinese students, creating messages to imaginary foreign friends they never expected to meet.

Receiving a reply wasn’t just about connection; it was about being truly seen at a time when Chinese people often feel underrepresented or mischaracterized in global contexts. Some users even called the replies to the Li Hua letters a “historical moment.”

 
✳️ Unity in a Time of Digital Divide
 

Alongside its political and cultural dimensions, the TikTok/Xiaohongshu “honeymoon” also reveals much about China and its digital environment. The fact that TikTok, a product of a Chinese company, has had such a profound impact on the American online landscape—and that American users are now flocking to another Chinese app—showcases the strength of Chinese digital products and the growing “de-westernization” of social media.

Of course, in Chinese official media discourse, this aspect of the story has been positively highlighted. Chinese state media portrays the migration of US TikTok users to Xiaohongshu as a victory for China: not only does it emphasize China’s role as a digital superpower and supposed geopolitical “connector” amidst US-China tensions, but it also serves as a way of mocking US authorities for the “witch hunt” against TikTok, suggesting that their actions have ultimately backfired—a win-win for China.

The Chinese Communist Party’s Publicity Department even made a tongue-in-cheek remark about Xiaohongshu’s sudden popularity among foreign users. The Weibo account of the propaganda app Study Xi, Strong Country, dedicated to promote Party history and Xi Jinping’s work, playfully suggested that if Americans are using a Chinese social media app today, they might be studying Xi Jinping Thought tomorrow, writing: “We warmly invite all friends, foreign and Chinese, new and old, to download the ‘Big Red Book’ app so we can study and make progress together!”

Perhaps the most positive takeaway from the TikTok/Xiaohongshu trend—regardless of how many American users remain on the app now that the TikTok ban has been delayed—is that it demonstrates the power of digital platforms to create new, transnational communities. It’s unfortunate that censorship, a TikTok ban, and the fragmentation of global social media triggered this moment, but it has opened a rare opportunity to build bridges across countries and platforms.

The “Dear Li Hua” letters are not just personal exchanges; they are part of a larger movement where digital tools are reshaping how people form relationships and challenge preconceived notions of others outside geopolitical contexts. Most importantly, it has shown Chinese and American social media users how confined they’ve been to their own bubbles, isolated on their own islands. An AI-powered social media app in the digital era became the unexpected medium for them to share kind words, have a laugh, exchange letters, and see each other for what they truly are: just humans.

As millions of Americans flock back to TikTok today, things will not be the same as before. They now know they have a friend in China called Li Hua.

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

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Story of Chinese Female MA Graduate Going Missing for 13 Years Sparks Online Storm

The story of the Chinese MA graduate, Ms. Bu, who disappeared in 2011 brings back memories of the Xuzhou mother of eight, who was later revealed to be a victim of human trafficking.

Manya Koetse

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Once a promising Master’s graduate in Engineering, Ms. Bu went missing for 13.5 years. Her return marks the end of her family’s long search, but it is the beginning of an online movement. Chinese netizens are not only demanding answers about how she could have remained missing for so long but also want clarity about the puzzling inconsistencies in her story.

Over the past few days, Chinese social media users have been actively spreading awareness about a case involving a Chinese woman who they suspect became a victim of human trafficking.

Netizens trying to draw attention to this story used the hashtag “Female MA Graduate Becomes a Victim of Human Trafficking” (#女硕士被拐卖#). Between December 6 and December 10, the hashtag garnered 150 million views on Weibo.

The case centers on a Chinese female Master’s graduate from Yuxi District in Shanxi Province’s Jinzhong, who went missing for over thirteen years. Now reunited with her family, netizens are demanding clarity and answers about how she could have disappeared for so long.

This case, which has sparked emotional and outraged responses online, brings back memories of another incident that became a landmark moment for online feminism in China: the case of the Xuzhou mother of eight children, who was discovered chained in a shed next to her family home. Her husband was later sentenced to nine years in prison for his role in her human trafficking.

 
A Niece’s Search into the Origins of Her Mysterious Aunt
 

The online movement to raise awareness about this case began well before it gained traction on December 6. It all started when a young woman named Zhang (张) from He Shun County (和顺县) contacted a volunteer group dedicated to reuniting missing individuals. On November 25 of this year, Zhang sought their help in tracking down the family of her somewhat mysterious “aunt.”

According to Zhang, her aunt—who suffered from mental illness—had been living with her uncle for over a decade. Despite this long history, the family knew almost nothing about her past. Wanting to know more, Zhang reached out to the group in hopes of learning about her aunt’s origins.

Zhang claimed that her “aunt” had wandered into their family home one day fifteen years ago. Although they reportedly informed the police, no action was taken, and they allegedly decided to “take her in.” After about two years, she ended up living with Zhang’s uncle, with whom she had two children.

When volunteers visited the family home, they found that the “aunt” was literate and appeared to be well-educated. As reported by the popular WeChat account Xinwenge (December 4 article), the volunteers gradually guided the woman into revealing her name, her family members’ names, and the university she attended.

After passing this information to the police, they confirmed her identity as ‘Ms. Bu’ (卜女士), a missing person from Jinzhong’s Yuxi, about a 2.5-hour drive from He Shun County.

On November 30, Ms. Bu finally returned home, where her 75-year-old father had prepared a welcome banner for her. She was accompanied by her “husband” and their two children, a 12-year-old son and an 8-year-old daughter.

A banner in Jinzhong’s Yuxi: “Welcome home, daughter.”

Although Bu initially did not seem to recognize her father, Chinese media reported that she eventually smiled when he brought out her glasses, which she had worn as a student.

 
From Doctorate Pursuit to Disappearance
 

Ms. Bu was born in 1979. As a bright young woman, she graduated high school, attended college, and earned her master’s degree in engineering in 2008. Bu planned to pursue a doctorate afterward. However, due to not renewing her ID card in time, she failed to register for her doctoral exam.

This caused severe stress, and she subsequently developed schizophrenia. Her brother recalled that it was not the first time she had struggled with mental health issues—she had undergone various treatments at multiple hospitals for mental illness between 2008 and 2011.

At the time, Bu reportedly received medical treatment. While recovering at home after being discharged, the then 32-year-old Bu suddenly disappeared in May 2011. Although she was reported as a missing person, her family did not hear from her for over 13 years.

But this is where the questions arise. According to Ms. Zhang, her “aunt” had first walked into their home fifteen years ago, which is impossible since Bu did not go missing until May 2011.

Other aspects of Bu’s disappearance also raise questions. How did she end up in He Shun County? Why did the Zhang family not seek help all these years? And how was she able to have two children with her “husband” despite her fragile mental state?

 
Authorities Get Involved
 

While the story of Ms. Bu has received considerable online attention over the past few days, a joint investigation team was set up in Shanxi’s He Shun County to investigate the case. While investigations are still ongoing, new reports suggest that, after her disappearance in May 2011, Bu spent some time wandering alone in multiple nearby villages for over ten days in July and August of that year, exhibiting signs of mental illness.

She was later taken in by Mr. Zhang, a 45-year-old villager, who is now the target of an active criminal investigation. Zhang was aware of Ms. Bu’s mental condition yet engaged in relations with her, resulting in children.

Bu has now been hospitalized for treatment, and authorities are providing support to her children. It is unclear if they will remain with their father—custody arrangements will be determined based on the outcome of the case.

On social media, interest in the case is only growing. On Tuesday, a Xinhua post detailing the latest updates on the case received over 433,000 likes and 44,000 shares shortly after it was posted.

Despite the official updates, questions continue to surround the case of Ms. Bu, nicknamed ‘Hua Hua’ (花花). Given that her mental illness was apparent to so many, why did local authorities fail to intervene earlier? Particularly during the strict social controls and widespread testing of China’s ‘zero-Covid’ era, it is hard to believe that local authorities were unaware of her existence and her mental state. These criticisms and questions are flooding social media and growing louder as more details about her past emerge.

Ms. Zhang, the family niece, further revealed in a livestream that ‘Hua Hua,’ who was reportedly sleeping under a bridge before being taken in by the Zhang family, actually had more than two children. However, as of the time of writing, the fate of these additional children remains unclear.

This case also brings back memories of the Xuzhou mother of eight, another victim of mental illness who was nonetheless “married” to her “husband” and gave birth to eight children. Her story sparked a massive online outcry over how local authorities were complicit in enabling such abuses.

“From the Xuzhou chained woman to the missing Ms. Bu, these women’s tragedies cannot remain incomplete stories,” author Ma Ning (麻宁) wrote on Weibo. “Women are not commodities for marriage and reproduction (…) Let’s continue to follow this case, not just to seek justice for Ms. Bu but also to protect ourselves.”

See more about this story in our follow-up article here.

By Manya Koetse, with contributions by Miranda Barnes
(follow on X, LinkedIn, or Instagram)

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